Sony - Camera
A1 Full-Frame Mirrorless
6,101.88 EUR
5,857.80 EUR
- MFR-CODE: ILCE-1
- BLK-CODE: 260-0110
- Mirrorless Photo Camera
- XAVC S 8K/4K up to ?600Mbps
- 50MP Photos 8640x5760pix
- CMOS Full Frame Sensor 50MP
- ISO 100-32000 (expandable to 50- 102400)
- 5-axis Stabilizer
- 2x CF-Express cards
- 4K HDMI Output
50.1 megapixels at up to 30 frames/second
The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps2 with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
Blackout-free for an uninterrupted view
An interrupted blackout-free view of the subject lets you respond instantly and seamlessly. The EVF is updated to minimize latency during continuous shooting.
120 AF/AE tracking calculations per second
Fast sensor readout enables 120 AF/AE calculations per second3, even during 30fps bursts, for pinpoint AF tracking precision with fast and erratic subjects. AE latency is less than 0.033 s.
Silent, vibration-free shutter4
A silent5 electronic shutter provides greater opportunities for shooting sports and other subjects where noise is not tolerated. Vibration-free operation contributes to high image quality.
Anti-distortion Shutter
Fast sensor readout minimizes still-image distortion6 when using the electronic shutter4. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
Flicker-free electronic & mechanical shutters
Another world-first7: flicker-free electronic and mechanical shutters. You get flicker-free shooting under fluorescent/artificial lighting with all the benefits of the electronic shutter.
Exmor RS CMOS image sensor
Full-frame stacked 50.1-MP Exmor RS™ CMOS sensor with integral memory
A stacked architecture in this back-illuminated 50.1-MP full-frame image sensor contributes to high resolution and speed. Separate pixel and circuit layers and advanced A/D conversion mean faster processing.
All-new architecture and BIONZ XR image processing engine
The new BIONZ XR engine features advanced architecture that delivers 8x greater processing power8. The result is outstanding image quality as well as improved camera interface response.
Flash sync with electronic shutter
For the first time in an α camera, electronic shutter flash sync9 is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
Dual driven shutter drive for flash sync up to 1/400 s.
The world's first10 dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.
Breathtaking resolution and image quality
The new 50.1-MP Exmor RS CMOS sensor delivers high resolution and sensitivity with low noise, plus up to 15 stops11 of dynamic range. A new image processing engine achieves even better color accuracy than previous models.
Wide ISO 100–32000 sensitivity range
Despite the sensor's high pixel count, a sensitive back-illuminated structure with gapless on-chip lenses and an AR coated seal glass allows a standard ISO range of ISO 100–32000, expandable to ISO 50–10240012.
Pixel Shift Multi Shooting
Up to 16 images shot with precise in-body image stabilization control can be combined via computer software to create photos with up to 199 million pixels for extraordinary resolution, color, and atmosphere.13
[1] Normal Shooting [2] 16-image Pixel Shift Multi Shooting
Creative Look supports varied expression
The Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of "looks" that can help creators fine-tune the mood of their stills or movies in-camera.
5-axis optical in-body image stabilization for a 5.5-step advantage
A precision stabilization unit and gyro sensors plus the latest image stabilization algorithms deliver a 5.5-step14 shutter speed advantage, maximizing the quality of high-resolution images.
[1] Yaw [2] Pitch [3] Roll
Real-time Eye AF for birds15
High-level subject recognition technology now makes it possible for Sony's Real-time Eye AF function to track and accurately focus on bird eyes, even if the bird suddenly takes flight or the framing changes. This innovative function easily meets the many challenges of bird photography16.
Improved Real-time Eye AF for animals15
Primarily designed for cats and dogs, this feature employs advanced subject recognition technology to reliably track and focus on animal eyes16. It even works if the animal's face is upside-down.
Real-time Eye AF
Combining state-of-the-art AI technology and evolved Fast Hybrid AF algorithms, Real-time Eye AF in the α1 tracks and focuses on human eyes with approximately 30% greater precision than the α9 II.
Real-time Tracking
Select a subject, half-press the shutter, and the camera will track and maintain focus automatically. Turn on AF face/eye priority for seamless AI-based tracking of human, animal, or bird eyes.
Wide, fast, precise AF tracking
The α1 features focal plane phase-detection AF that is sensitive, fast, and precise. The 50.1-MP sensor and BIONZ XR engine provide 759 selectable phase-detection points18 covering about 92% of the image.
New movie potential
Next-generation 8K19 30p recording
The new image sensor and BIONZ XR engine in the α1 deliver 8K (7680x4320) 30p movie recording capability for extraordinary realism. Four times the resolution of 4K with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing.
4K movies at a high 120fps frame rate
The α1 supports high frame-rate internal 4K movie recording at up to 120fps, for smooth, expressive slow-motion21 playback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I)22 compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimize image distortion.
4K with full sensor readout, no pixel binning, and 5.8K oversampling
In the Super 35 mode, approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning, for beautifully imagery that is rich in detail.
10-bit 4:2:2 chroma subsampling
10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.
Real-time Eye AF and Real-time Tracking for movies
The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.
S-Log for compatibility with pro cine cameras
S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces supported.
10-bit 4:2:223 HLG (Hybrid Log-Gamma) support
High-dynamic-range HLG movies support the wide-gamut BT.2020 color space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.
16-bit RAW output
The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.
Digital audio interface for superior sound
A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio is delivered directly to the camera.
Heat-dissipating structure for extended recording
A newly developed heat-dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30 minutes24.
The cinematic S-Cinetone look
The α1 includes the same S-Cinetone color matrix that produces beautiful color and skin tones in the FX9, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights, responding to a growing need for more expressive depth.
"Active Mode" image stabilization
A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilization highly effective for handheld shooting. It uses the BIONZ XR engine's real-time processing capability to apply optimum compensation in all formats, including 4K26. All of this is realized without compromising the compact size and mobility of the α system.
High-performance electronic viewfinder
The 9.44 million-dot (approx.) OLED viewfinder in the α1 offers the highest resolution in the industry at this time27. It features 0.90x magnification28 with a 41 ° FOV for a clear, wide view, and an updated structure that results in a 25-mm-high eyepoint29. A 240fps refresh rate with UXGA FOV is another world-first27, for a clear view of fast action.
Panning shots with electronic shutter
Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON to improve display response and allow panning shots.
Seamlessly switch full-frame and APS-C formats
M and S size images31 have the same number of pixels and AF area in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:21MP] and APS-C [M:21MP] while shooting the same scene.
[1] Full Frame [2] APS-C
Separate settings for stills and movies
A subset of the settings now change according to the selected mode. This is ideal when you want to use different aperture, shutter speed, and other settings for shooting stills and movies32.
New menu structure
Another feature requested by professional photographers and videographers: a revised menu structure for easier navigation, and touch-responsive menu operation for more intuitive control.
Customizable functions
164 Functions are assignable to 17 custom keys as well as the front and rear dials. Independent function sets can be assigned for stills, movies and playback.
Touch menu control
Touch-responsive main and function menus with menu tabs on the left of the display, and related parameter groups and parameters on the right, make for easy navigation and tracking control.
High-reliability mechanical shutter
Shutter vibration is minimized while allowing continuous bursts at up to 10fps. The new shutter unit with advanced motor, brake, and dampers is good for more than 500,000 cycles33.
Two CFexpress Type A-compatible media slots
Dual media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds.
High-capacity Z-series battery for extended recording
Shoot up to 530 stills per charge. Components and circuitry have also been designed to optimize power use. Get more capacity with two Z batteries in the VG-C4EM grip.
Improved dust- and moisture-resistant design
Sealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.
Durable magnesium alloy chassis
A light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.
Industry's fastest7 built-in Wi-Fi supports 2x2 MIMO
Built-in wireless LAN allows communication on the 2.4-GHz and 5-GHz36 bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac). Dual antennas ensure reliable communication.
SuperSpeed USB 10-Gbps (USB 3.2) Type-C® connector
A USB Type-C® connector that supports fast USB 3.2 SuperSpeed USB 10-Gbps data transfer, making fast PC Remote (tethered) data transfer available for smooth handling of large files.
1000BASE-T Ethernet for fast communication
A built-in connector for wired 1000BASE-T connection enables fast, stable data transfers at gigabit speeds. FTPS is supported, allowing SSL or TLS encryption for greater security.
The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps2 with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
Blackout-free for an uninterrupted view
An interrupted blackout-free view of the subject lets you respond instantly and seamlessly. The EVF is updated to minimize latency during continuous shooting.
120 AF/AE tracking calculations per second
Fast sensor readout enables 120 AF/AE calculations per second3, even during 30fps bursts, for pinpoint AF tracking precision with fast and erratic subjects. AE latency is less than 0.033 s.
Silent, vibration-free shutter4
A silent5 electronic shutter provides greater opportunities for shooting sports and other subjects where noise is not tolerated. Vibration-free operation contributes to high image quality.
Anti-distortion Shutter
Fast sensor readout minimizes still-image distortion6 when using the electronic shutter4. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
Flicker-free electronic & mechanical shutters
Another world-first7: flicker-free electronic and mechanical shutters. You get flicker-free shooting under fluorescent/artificial lighting with all the benefits of the electronic shutter.
Exmor RS CMOS image sensor
Full-frame stacked 50.1-MP Exmor RS™ CMOS sensor with integral memory
A stacked architecture in this back-illuminated 50.1-MP full-frame image sensor contributes to high resolution and speed. Separate pixel and circuit layers and advanced A/D conversion mean faster processing.
All-new architecture and BIONZ XR image processing engine
The new BIONZ XR engine features advanced architecture that delivers 8x greater processing power8. The result is outstanding image quality as well as improved camera interface response.
Flash sync with electronic shutter
For the first time in an α camera, electronic shutter flash sync9 is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
Dual driven shutter drive for flash sync up to 1/400 s.
The world's first10 dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.
Breathtaking resolution and image quality
The new 50.1-MP Exmor RS CMOS sensor delivers high resolution and sensitivity with low noise, plus up to 15 stops11 of dynamic range. A new image processing engine achieves even better color accuracy than previous models.
Wide ISO 100–32000 sensitivity range
Despite the sensor's high pixel count, a sensitive back-illuminated structure with gapless on-chip lenses and an AR coated seal glass allows a standard ISO range of ISO 100–32000, expandable to ISO 50–10240012.
Pixel Shift Multi Shooting
Up to 16 images shot with precise in-body image stabilization control can be combined via computer software to create photos with up to 199 million pixels for extraordinary resolution, color, and atmosphere.13
[1] Normal Shooting [2] 16-image Pixel Shift Multi Shooting
Creative Look supports varied expression
The Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of "looks" that can help creators fine-tune the mood of their stills or movies in-camera.
5-axis optical in-body image stabilization for a 5.5-step advantage
A precision stabilization unit and gyro sensors plus the latest image stabilization algorithms deliver a 5.5-step14 shutter speed advantage, maximizing the quality of high-resolution images.
[1] Yaw [2] Pitch [3] Roll
Real-time Eye AF for birds15
High-level subject recognition technology now makes it possible for Sony's Real-time Eye AF function to track and accurately focus on bird eyes, even if the bird suddenly takes flight or the framing changes. This innovative function easily meets the many challenges of bird photography16.
Improved Real-time Eye AF for animals15
Primarily designed for cats and dogs, this feature employs advanced subject recognition technology to reliably track and focus on animal eyes16. It even works if the animal's face is upside-down.
Real-time Eye AF
Combining state-of-the-art AI technology and evolved Fast Hybrid AF algorithms, Real-time Eye AF in the α1 tracks and focuses on human eyes with approximately 30% greater precision than the α9 II.
Real-time Tracking
Select a subject, half-press the shutter, and the camera will track and maintain focus automatically. Turn on AF face/eye priority for seamless AI-based tracking of human, animal, or bird eyes.
Wide, fast, precise AF tracking
The α1 features focal plane phase-detection AF that is sensitive, fast, and precise. The 50.1-MP sensor and BIONZ XR engine provide 759 selectable phase-detection points18 covering about 92% of the image.
New movie potential
Next-generation 8K19 30p recording
The new image sensor and BIONZ XR engine in the α1 deliver 8K (7680x4320) 30p movie recording capability for extraordinary realism. Four times the resolution of 4K with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing.
4K movies at a high 120fps frame rate
The α1 supports high frame-rate internal 4K movie recording at up to 120fps, for smooth, expressive slow-motion21 playback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I)22 compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimize image distortion.
4K with full sensor readout, no pixel binning, and 5.8K oversampling
In the Super 35 mode, approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning, for beautifully imagery that is rich in detail.
10-bit 4:2:2 chroma subsampling
10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.
Real-time Eye AF and Real-time Tracking for movies
The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.
S-Log for compatibility with pro cine cameras
S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces supported.
10-bit 4:2:223 HLG (Hybrid Log-Gamma) support
High-dynamic-range HLG movies support the wide-gamut BT.2020 color space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.
16-bit RAW output
The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.
Digital audio interface for superior sound
A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio is delivered directly to the camera.
Heat-dissipating structure for extended recording
A newly developed heat-dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30 minutes24.
The cinematic S-Cinetone look
The α1 includes the same S-Cinetone color matrix that produces beautiful color and skin tones in the FX9, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights, responding to a growing need for more expressive depth.
"Active Mode" image stabilization
A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilization highly effective for handheld shooting. It uses the BIONZ XR engine's real-time processing capability to apply optimum compensation in all formats, including 4K26. All of this is realized without compromising the compact size and mobility of the α system.
High-performance electronic viewfinder
The 9.44 million-dot (approx.) OLED viewfinder in the α1 offers the highest resolution in the industry at this time27. It features 0.90x magnification28 with a 41 ° FOV for a clear, wide view, and an updated structure that results in a 25-mm-high eyepoint29. A 240fps refresh rate with UXGA FOV is another world-first27, for a clear view of fast action.
Panning shots with electronic shutter
Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON to improve display response and allow panning shots.
Seamlessly switch full-frame and APS-C formats
M and S size images31 have the same number of pixels and AF area in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:21MP] and APS-C [M:21MP] while shooting the same scene.
[1] Full Frame [2] APS-C
Separate settings for stills and movies
A subset of the settings now change according to the selected mode. This is ideal when you want to use different aperture, shutter speed, and other settings for shooting stills and movies32.
New menu structure
Another feature requested by professional photographers and videographers: a revised menu structure for easier navigation, and touch-responsive menu operation for more intuitive control.
Customizable functions
164 Functions are assignable to 17 custom keys as well as the front and rear dials. Independent function sets can be assigned for stills, movies and playback.
Touch menu control
Touch-responsive main and function menus with menu tabs on the left of the display, and related parameter groups and parameters on the right, make for easy navigation and tracking control.
High-reliability mechanical shutter
Shutter vibration is minimized while allowing continuous bursts at up to 10fps. The new shutter unit with advanced motor, brake, and dampers is good for more than 500,000 cycles33.
Two CFexpress Type A-compatible media slots
Dual media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds.
High-capacity Z-series battery for extended recording
Shoot up to 530 stills per charge. Components and circuitry have also been designed to optimize power use. Get more capacity with two Z batteries in the VG-C4EM grip.
Improved dust- and moisture-resistant design
Sealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.
Durable magnesium alloy chassis
A light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.
Industry's fastest7 built-in Wi-Fi supports 2x2 MIMO
Built-in wireless LAN allows communication on the 2.4-GHz and 5-GHz36 bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac). Dual antennas ensure reliable communication.
SuperSpeed USB 10-Gbps (USB 3.2) Type-C® connector
A USB Type-C® connector that supports fast USB 3.2 SuperSpeed USB 10-Gbps data transfer, making fast PC Remote (tethered) data transfer available for smooth handling of large files.
1000BASE-T Ethernet for fast communication
A built-in connector for wired 1000BASE-T connection enables fast, stable data transfers at gigabit speeds. FTPS is supported, allowing SSL or TLS encryption for greater security.
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
128x96x69
- Total Weight (KG)
-
0.737
MORE SPECIFICATIONS
- Power Consumption
-
Not specified
- Extras
-
Image Sensor-Shift mechanism with 5-axis compensation.
GENERAL FEATURES
- Viewfinder
-
0.64" OLED
- LCD
-
3.0"
- ISO
-
100-32000 (expandable to 50- 102400)
- Shutter speed
-
1/4sec to 1/8000sec
CONNECTIONS
- No. of Audio outputs
-
1
- No. of Audio inputs
-
1
- No. of Video outputs
-
1
LENS SYSTEM
- Sensor Resolution
-
50M (8640x5760pix)
STILL IMAGE
- Continuous Shooting
-
30 Shots/sec
- Max Image Resolution
-
8640x5760pix (50M)
- Sony Alpha 1 Mirrorless Digital Camera (Body Only)
- Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
- Sony BC-QZ1 Battery Charger
- Sony ALC-B1EM Body Cap for E-Mount Cameras
- USB Type-C to Type-A Cable
- Cable Protector
- Shoulder Strap
- Accessory Shoe Cap
- Eyepiece Cup
Pdf not available.
Sony A1 Review 2
Sony A1 Review
Accessory
HOT
-20%
Sensor Cleaner F24K
- Sensor Cleaner
- Contains 12 pieces of Sensor Cleaning Rod
- For Full Frame CCD, CMOS Sensors
- High dust-attracting Power
Adapter
HOT
-20%
B4-Sony-E
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
HOT
-20%
BT5 EF to E-mount
- Electronic?Lens Adapter T
- For E-mount Cameras
- For Canon EF Lenses
- Smooth Auto Focus Support
HOT
-20%
BT6 Cine EF to E-mount
- Electronic?Lens Adapter Cine T
- For E-mount Cameras
- For Canon EF Lenses
- Partial Auto Focus support
HOT
-20%
CanonEF-SonyE
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For EF-Mount Canon Lenses
- No Auto Focus support
HOT
-20%
Dual CH Digital XLR w Shotgun
- Dual Channel Audio Adapter Kit
- With?ECM-XM1 Shotgun Microphone
- 2x XLR Combo & 1x Jack 3.5mm Mic Inputs
- Multi Interface Shoe
HOT
-20%
Dummy NP-FZ100 Type
- Dummy Battery
- Sony NP-FZ100 type plate
- 8V, 3A
- For Sony A7RIII, A7III
HOT
-20%
E to EF Mount Canon
- Mechanical?Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
HOT
-20%
E to F Mount G
- Mechanical?Lens Adapter
- For E-Mount Sony Cameras
- For F-Mount Nikon Lenses
- No Focus Control
HOT
-20%
EOS NEX EF to E-mount
- Mechanical Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
HOT
-20%
F-mount G to E-mount
- Mechanical Lens Adapter
- For E-mount Cameras
- For NikonG? F-Mount Lenses
- No Focus & Aperture Control
HOT
-20%
Focus-Sony-FZ100
- Battery Adapter
- For SmallHD Focus Monitor
- Barrel to NP-FZ100
- For Sony A Series Cameras
HOT
-20%
MC-11
- Electronic?Lens Adapter
- For E-mount Cameras
- For Canon EF Lenses
- Partial Auto Focus support
HOT
-20%
NikonG to SonyE
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For F-Mount Nikon Lenses
- No Aperture Control
HOT
-20%
NikonG-NEX
- Mechanical Lens Adapter
- For E-Mount Sony Cameras
- For F-Mount Nikon Lenses
- No Focus Control
HOT
-20%
HOT
-20%
PL-SonyE
- Mechanical Lens Adapter
- For E-mount Sony Camera
- For PL-Mount Lenses
- No Aperture Control
HOT
-20%
Rhino-Mount-2
- Hot Shoe Mount with Rod
- 15mm Rod
- 5cm Rod Length
- For DSLR/Mirrorless Cameras
HOT
-20%
Rhino-Mount-4
- Hot Shoe Mount with Rod
- 15mm Rod
- 10cm Rod Length
- For DSLR/Mirrorless Cameras
HOT
-20%
Rhino-Mount-6
- Hot Shoe Mount with Rod
- 15mm Rod
- 15cm Rod Length
- For DSLR/Mirrorless Cameras
Audio Mixer
HOT
-20%
DXA-SLR-Mini
- Portable Audio Mixer
- 2x mono Jack 3.5mm input
- 2x stereo Jack 3.5mm input
- 1x Jack 3.5mm output to camera
HOT
-20%
MixMic
- Portable Audio Mixer
- Includes Shotgun microphone 2x 3-pin XLR inputs 3.5mm Jack output
- For DSLR Cameras
- Hot shoe to fit on the camera
Battery
HOT
-20%
HOT
-20%
NP-FZ100 7.4V 2280mAh
- High Quality Li-ion Mini Battery
- Sony NP-FZ100 type battery
- For Sony A7III, A7RIII, A7SIII
- 7.4V, 2280mAh, 16.9Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
HOT
-20%
NP-FZ100 with USB-C Port
- Mini Battery with USB-C Port
- For Sony Photo Cameras
- 8.4 Input / 7.2V Output
- 2400mAh
Cage
HOT
-20%
Aluminum for A7IV A7SIII A1
- Aluminum Cage for Cameras
- For A7R-V/A7R-IV/A7-IV/A7S-III
- 1/4" and 3/8" Threads
- 2x Cold Shoe Mounts
HOT
-20%
Rhinoceros for A7RV A7IV
- Aluminum Cage for Cameras
- For A7R-V/A7-IV/A7S-III
- 1/4" and 3/8" Threads
- 2x Cold Shoe Mounts
Case
HOT
-20%
1500 Dividers
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 425x155x284mm
- Dustproof/Crushproof/Watertight
HOT
-20%
1500 Foam
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 425x155x284mm
- Dustproof/Crushproof/Watertight
HOT
-20%
PSK-7
- Shoulder Bag?
- For Slidekamera Controller
- For Photo Cameras/Accessories
- Interior(WxHxD): 200x250x70mm
HOT
-20%
RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun Cinema
- Handheld/Shoulder Bag?
- For Handheld/Cinema Cameras
- Interior(WxHxD):?470x310x240mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun Small
- Handheld/Shoulder Bag?
- For small Handheld Cameras
- Interior(WxHxD):?380x210x200mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Vesta Aspire 25
- Shoulder Bag
- Suitable for Photo Cameras
- Interior(WxHxD): 260x170x210mm
- Holds DSLR, 4x Lenses, Accessories
HOT
-20%
Vesta Aspire 30
- Shoulder Bag
- Suitable for Photo Cameras
- Interior(WxHxD): 300x170x210mm
- Holds 2x DSLR, 4x Lenses, Accessories
HOT
-20%
Vesta Aspire 33
- Shoulder Bag
- Suitable for Photo Cameras
- Interior(WxHxD): 330x135x235mm
- Holds DSLR, 5x Lenses, Accessories
Charger
HOT
-20%
HOT
-20%
Mini 2-Channel with two plates
- High quality Dual Charger KIT
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
HOT
-20%
Mini 2-Channel without plates
- High quality Dual Charger with LCD
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
Controller
HOT
-20%
Focus Pro All-In-One Combo
- Focusing System Set
- For DJI RS 3 & RS 4 Pro Gimbals
- Incl. Focus Pro LiDAR, Grip, Motor,Handle Unt
- Works with Selected Cameras
HOT
-20%
Focus Pro Creator Combo
- Focusing System Set
- For DJI RS 3 & RS 4 Pro Gimbals
- Includes Focus Pro LiDAR, Grip & Motor
- Works with Selected Cameras
Grip
HOT
-20%
Power Station for Photo
- Battery Grip
- For Recorders and Cameras
- DC outputs & USB
- Includes 2x 2600mAh NP Batteries
HOT
-20%
VG-C1EM
- Battery Grip
- For Sony A7/A7S
- 2x NP-FW50 Battery Trays
- Hot Swappable Batteries
Lens
HOT
-20%
100mm-T3.1VDSLR-E-Macro
- Prime Lens 100mm
- T3.1 Max Aperture
- Sony E Mount
- Full Frame & APS-C Format
HOT
-20%
135mm-T2.2VDSLR-E
- Prime Lens 135mm
- T2.2 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
14-24mm F2.8 DG DN E
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Sony E Mount
- Auto Focus
HOT
-20%
14mm-T3.1VDSLR-MK-II-E
- Prime Lens 14mm
- T3.1 Aperture
- Sony E-Mount
- For Full Frame & APS-C Sensors
HOT
-20%
HOT
-20%
17-28mm f2.8Di III RXD E
- Zoom Lens 17-28mm
- f/2.8 Aperture
- Sony E Mount
- Auto Focus
HOT
-20%
17-70mm f/2.8 Di III-A VC RXD E
- Zoom Lens 17-70mm
- f/2.8-f/16 Aperture
- Sony E Mount
- Auto Focus
HOT
-20%
18-300mm f3.5-6.3 Di III VXD E
- Zoom Lens 18-300mm
- f/3.5-6.3 Aperture
- Sony E Mount
- APS-C Format
HOT
-20%
20mm-F1.8ED-AS-UMC-E
- Prime Lens 20mm
- F1.8 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
24-35mm T2.2 FF-F-VE
- Zoom Cine Lens 24-35mm (Metric)
- f/2.2 Aperture
- Sony E Mount
- Full frame & APS-C Format
HOT
-20%
24mm-T1.5VDSLR-MK-II-E
- Prime Lens 24mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
35-150mm f2.8Di III VXD E
- Zoom Lens 35-150mm
- f/2.8 Aperture
- Sony E Mount
- VXD Auto Focus
HOT
-20%
35mm-T1.5VDSLR-MK-II-E
- Prime Lens 35mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
50-100mm T2 F-VE
- Zoom Cine Lens 50-100mm (Metric)
- f/2 Aperture
- Sony E Mount
- Super-35 Format
HOT
-20%
50mm-T1.5VDSLR-MK-II-E
- Prime Lens 50mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
70-180mm f2.8 Di III VC VXD G2
- Zoom Lens 70-180mm
- f/2.8-22 Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
85mm-T1.5VDSLR-MK-II-E
- Prime Lens 85mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 135mm f2.8 E
- Prime Lens 135mm
- F2.8 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 18mm f2.8 E
- Prime Lens 18mm
- F2.8 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 25mm f2 E
- Prime Lens 25mm
- F2.0 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 40mm f2 E
- Prime Lens 40mm
- F2.0 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 85mm f1.8 E
- Prime Lens 85mm
- F1.8 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
CP3-100mm-T2.1-E
- Prime Lens 100mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-135mm-T2.1-E
- Prime Lens 135mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-15mm-T2.9-E
- Prime Lens 15mm
- T2.9 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-18mm-T2.9-E
- Prime Lens 18mm
- T2.9 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-21mm-T2.9-E
- Prime Lens 21mm
- T2.9 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-25mm-T2.1-E
- Prime Lens 25mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-28mm-T2.1-E
- Prime Lens 28mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-35mm-T2.1-E
- Prime Lens 35mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-50mm-T2.1-E
- Prime Lens 50mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-85mm-T2.1-E
- Prime Lens 85mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
E 10-18mm f4 OSS
- Zoom Lens 10-18mm
- f/4 Max. Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
HOT
-20%
E PZ 18-105mm f.4 G OSS
- Zoom Lens 18-105mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
HOT
-20%
E PZ 18-110mm f.4 G OSS
- Zoom Lens 18-110mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
HOT
-20%
FE 12-24mm f2.8 GM E
- Zoom Lens 12-24mm
- f/2.8 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
FE 12-24mm f4 G
- Zoom Lens 12-24mm
- f/4 Max. Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
FE 14mm f1.8 GM E
- Prime Lens 14mm
- f/1.8 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
FE 16-35mm f.4 ZA OSS
- Zoom Lens 16-35mm
- f/4 Max. Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 16-35mm f2.8GM E
- Zoom Lens 16-35mm
- f/2.8 Max. Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-105mm F4G OSS
- Zoom Lens Vario-Tessar 24-105mm
- f/4 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-240mm f3.5-6.3 OSS
- Zoom Lens 24-240mm
- f/3.5-6.3 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-70mm f.4 ZA OSS
- Zoom Lens Vario-Tessar 24-70mm
- f/4 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-70mm f2.8 GM E
- Zoom Lens 24-70mm?
- f/2.8 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
FE 24-70mm f2.8 GM2 E
- Zoom Lens 24-70mm
- f/2.8 Max. Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
FE 28-70mm f3.5-5.6 OSS
- Zoom Lens 28-70mm
- f/3.5-5.6 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
HOT
-20%
HOT
-20%
HOT
-20%
FE 50mm f1.4 GM E
- Prime Lens 50mm
- f/1.4 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
HOT
-20%
FE 50mm f2.8 Macro
- Prime Lens 50mm Macro
- f/2.8-f/16 Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
HOT
-20%
FE 70-200mm f.4 G OSS
- Zoom Lens 70-200mm-F4G-OSS
- f/4 Max Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 70-200mm f2.8 GM E
- Zoom Lens 70-200mm
- f/2.8 Max Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 70-200mm f2.8 GM2 E
- Zoom Lens 70-200mm
- f/2.8 Max Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 85mm f1.4 GM
- Prime Lens 85mm
- f/1.4 Max. Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
FE 90mm f2.8 Macro G OSS
- Prime Lens 90mm
- f/2.8-f/22 Aperture
- Sony E-Mount
- Auto Focus - Macro
HOT
-20%
FE PZ 28-135mm f.4 G OSS
- Zoom Lens 28-135mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
HOT
-20%
Loxia 21mm f2.8 E
- Prime Lens 21mm
- f/2.8-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Loxia 35mm f2 E
- Prime Lens 35mm
- f/2-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Loxia 50mm f2 E
- Prime Lens 50mm
- f/2-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Loxia 85mm f2.4 E
- Prime Lens 85mm
- f/2.4-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
MK 18-55mm T2.9 E Cine
- Cine Zoom Lens
- 18-55mm
- T2.9 Max Aperture
- Sony E-Mount
HOT
-20%
MK 50-135mm T2.9 E Cine
- Cine Zoom Lens
- 50-135mm
- T2.9 Max Aperture
- Sony E-Mount
HOT
-20%
Planar T FE 50mm f1.4 ZA
- Prime Lens 50mm
- f/1.4-f/16 Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
Simera 28mm f1.4 E
- Prime Lens 28mm
- f1.4 Max. Aperture
- E-Mount
- Full Frame Format
HOT
-20%
Simera 35mm f1.4 E
- Prime Lens 35mm
- f1.4 Max. Aperture
- E-Mount
- Full Frame Format
HOT
-20%
Simera-C 21mm T1.5 Cine E
- Prime Cine Lens 21mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 28mm T1.5 Cine E
- Prime Cine Lens 28mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 35mm T1.5 Cine E
- Prime Cine Lens 35mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 50mm T1.5 Cine E
- Prime Cine Lens 50mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 75mm T1.5 Cine E
- Prime Cine Lens 75mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
SP3 32mm T2.4 Full-Frame E
- Prime Cine Lens 32mm
- f2.4 Μax Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
SP3 50mm T2.4 Full-Frame E
- Prime Cine Lens 50mm
- f2.4 Μax Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
Xeen-135mm-T2.2-Cine-E
- Prime Lens 135mm
- T2.2 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-24mm-T1.5-Cine-E
- Prime Lens 24mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-35mm-T1.5-Cine-E
- Prime Lens 35mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-50mm-T1.5-Cine-E
- Prime Lens 50mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-85mm-T1.5-Cine-E
- Prime Lens 85mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
Light
HOT
-20%
F60RM2 Wire Radio
- On Camera Flash Light
- Built-in Radio Wireless System
- Suitable for Sony ADI / P-TTL
- Focal Length Coverage: 14-200mm
HOT
-20%
LED DL160T 13x10cm
- On Camera LED Light - 13x10cm
- 160LED 950lux @1m
- 5600K (3200K with included filters)
- 1x Sony F970 Type Plate
HOT
-20%
LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
HOT
-20%
LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
HOT
-20%
RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
HOT
-20%
V1S Round Head TTL
- On Camera Flash Light
- Wireless Operation System up to 100m
- Compatible with Sony ADI / P-TTL
- Focal Length Coverage: 28-105mm
Microphone
HOT
-20%
CamMic Shotgun
- Shotgun Microphone
- Condenser Cardioid Jack 3.5mm output
- Hot Shoe - 3/8" thread
- Low Cut Filter
HOT
-20%
ECM-GZ1M Gun Zoom
- Shotgun Microphone
- For Cameras w Multi-Interface Shoe
- Electret Condenser Super Cardioid
- 150Hz - 15kHz Frequency Response
HOT
-20%
MKE 400 MKII
- Shotgun Microphone
- Electret Super Cardioid Mic
- 50Hz - 20kHz Frequency Response
- 132dB Max SPL
HOT
-20%
MKE 600
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMic Go
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 100Hz - 16kHz Frequency Response
- Sensitivity: -35dB
HOT
-20%
Videomic NTG
- Shotgun Microphone
- Electret Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -26dB
HOT
-20%
VideoMic Pro Plus
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -33.6dB
HOT
-20%
VideoMic Pro Rycote
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -32dB - 9V Battery
HOT
-20%
VideoMic Rycote
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -38dB - 9V Battery
HOT
-20%
VideoMicME
- Shotgun Microphone for iPhones
- Condenser Cardioid Mic
- 100Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMicro
- Shotgun Microphone
- Condenser Cardioid Mic
- 100Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMicro-II
- Shotgun Microphone
- Condenser SuperCardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -30dB
HOT
-20%
Vmic-Mini
- Shotgun Microphone
- For DSLR Cameras/Phones
- Condenser Cardioid Jack 3.5mm output
- Hot Shoe
Monitor
HOT
-20%
4.8 inch LCD HDMI
- On-Camera Monitor
- LCD 4.8" 800x480Pixel
- HDMI IN/OUT
- Zoom Trigger
HOT
-20%
Shinobi II
- On-Camera Monitor
- HDMI 4K Input
- Up to 4K 4096x2160 @25/30P
- 5.2" LCD 1920x1080 Touch Panel
HOT
-20%
Monopod
HOT
-20%
Aluminum w 18KG Payload
- Monopod
- For Handheld/Photo Cameras
- 18KG Payload
- 68-192cm
HOT
-20%
Aluminum w 8KG Payload
- Monopod with Fluid Head
- For Handheld/Photo Cameras
- 8KG Payload
- 78-203cm
HOT
-20%
Carbon Fiber w 20KG Payload
- Monopod
- For Handheld/Photo Cameras
- 20KG Payload
- 60-188cm
REC-Media
HOT
-20%
CF Express A 160GB
- CF Express 160GB
- Write: 700MB/sec
- Read: 800MB/sec
- CF Express Type A
HOT
-20%
SDXC Extreme Pro 128GB V90 300
- SDHC/SDXC Card 128GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
HOT
-20%
SDXC256EXT PROII V90 300M
- SDHC/SDXC Card 256GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
Reader
HOT
-20%
CF Express Card Reader
- USB Card Reader
- CF Express Cards
- USB-C Connection
- USB3.1 Gen2
Recorder
HOT
-20%
DR-60D-MKII
- 4CH On-Camera Audio Recorder
- 2x XLR Combo, 2x Jack 3.5mm inputs
- 1x Jack 3.5mm phone output
- 2x Jack 3.5mm Outputs
HOT
-20%
DR-70D
- 4CH On-Camera Audio Recorder
- 2x Omni-Directional Microphones
- 4x XLR Combo, 2x Jack 3.5mm inputs
- 1x Jack 3.5mm Phone output
HOT
-20%
H5 4-Input
- 5CH Handheld Audio Recorder
- 2x Omni-Directional Mics X/Y
- 2x XLR, 1x Jack 3.5mm inputs
- Phantom Power 48V+
HOT
-20%
Video Assist 7 3G
- On-Camera Recorder/Monitor
- 7" Touchscreen LCD
- 3G-SDI IN/OUT & HDMI IN
- 1920x1080 50P/60P
Stabilizer
HOT
-20%
Crane 4
- Handheld 3-Axis Gyro Stabilizer
- For Cine/Photo Cameras
- Payload: 6 KG
- Extended Arm for Full-Frame Lenses
HOT
-20%
Flycam Redking
- Stabilizer for Cameras
- 7KG Payload
- Min Height: 53cm
- Max Height: 81cm
HOT
-20%
MG-Lite
- Handheld Gyro Stabilizer
- For Light Photo Cameras
- 360° Roll/Tilt/Pan Angles
- Firmware upgradeable
HOT
-20%
Ronin RS4
- Handheld 3-Axis Gimbal
- Compatible with DSLR/Pro Cameras
- 3KG Payload
- Lightweight Design
HOT
-20%
Ronin RS4 Combo
- Handheld 3-Axis Gimbal Combo
- Compatible with DSLR/Pro Cameras
- 3KG Payload
- Lightweight Design
HOT
-20%
Weebill 3
- Handheld Gimbal Stabilizer
- For Photo Cameras
- Roll/Tilt/Pan Angles
- Payload: 6.5KG
HOT
-20%
Weebill 3S
- Handheld 3-Axis Gyro Stabilizer Integrated 1000 Lux Fill Light
- For Photo Cameras
- Payload: 6.5KG
- Roll/Tilt/Pan Angles
Tripod
HOT
-20%
ACE M GS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 58-173cm
HOT
-20%
ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
HOT
-20%
ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
HOT
-20%
ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
HOT
-20%
ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
HOT
-20%
ACE-M-GS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 57-173cm
HOT
-20%
ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
Aluminum FreeBlazer AD-80
- Tripod Kit for Video Cameras
- FreeSpeed
- 8KG Max. Payload
- 1.91M Max. Height
HOT
-20%
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
HOT
-20%
Carbon Fiber AP-100
- Carbon Fiber Tripod
- 4 Leg Sections - For Photo Cameras
- 13cm Min. Height/1.5M Max. Height
- 8KG Payload
HOT
-20%
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Wireless
HOT
-20%
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
HOT
-20%
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
HOT
-20%
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
HOT
-20%
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
HOT
-20%
Remote for Shutter
- Wireless Remote Control
- For Select Sony/Canon/Nikon Cameras
- Bluetooth Connection
- 10m Wireless Range Multiple Mounting Options
HOT
-20%
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
HOT
-20%
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out