Canon - Camera
EOS C500 MKII EF Cine
17,462.82 EUR
16,764.30 EUR
- MFR-CODE: C500-MarkII-EF
- BLK-CODE: 161-0182
- Cinema Camera 5.9K
- Cinema RAW Light up to 2.1Gbps
- Up to 5.9K 5952 x 3140 50P/60P
- CMOS Full Frame - EF Mount
- Up to 15 stops dynamic range
- Dual pixel Focus Quide - Tracking
- 2x CF express cards
- 12G/3G/HD-SDI & HDMI 4K Out
New generation Cinema EOS System
5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.
Breathtaking Full Frame image quality
Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.
The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.
High quality and efficient recording formats
The EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files.
This multi-recording format provides efficiency and fulfils production requirements.
5.9K Over Sampling Processing for 4K
The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.
Compact, lightweight and reliable
Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.
Various mount and lens options
The EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements.
EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.
Highly configurable and modular design
Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.
Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications.
Pioneering Auto Focus technology*
The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 Mark II offers the ability to set the AF tracking speed and response.
Dual Pixel Focus Guide
Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.
Tracking AF
Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.
Face Priority AF / Face Only AF
Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.
First Cinema EOS to support Electronic IS
EOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.
Automatically obtains focal length
When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.
Electronic IS with non-electrical contact lenses
Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.
Focal Length can be saved
Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.
High frame rates
The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.
Advanced Interface
The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.
Full Frame ND filter
Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.
New OSD layout
Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.
Anamorphic lens support
EOS C500 Mark II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing.
Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x squeeze anamorphic lenses (that cover a native 1.2:1 aspect ratio on the sensor) can be used as well, using a 4:3 cropped area of the sensor.
User LUT support
Users can customize their own LUTs and load them onto the camera for precise-look monitoring, also, users can apply different LUTs for each output terminal.
A new dedicated LUT button gives additional operational flexibility.
ACES Support
The EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems.
Additionally, video output from the camera can be monitored by selecting the ACES Proxy.
5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.
Breathtaking Full Frame image quality
Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.
The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.
High quality and efficient recording formats
The EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files.
This multi-recording format provides efficiency and fulfils production requirements.
5.9K Over Sampling Processing for 4K
The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.
Compact, lightweight and reliable
Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.
Various mount and lens options
The EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements.
EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.
Highly configurable and modular design
Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.
Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications.
Pioneering Auto Focus technology*
The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 Mark II offers the ability to set the AF tracking speed and response.
Dual Pixel Focus Guide
Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.
Tracking AF
Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.
Face Priority AF / Face Only AF
Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.
First Cinema EOS to support Electronic IS
EOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.
Automatically obtains focal length
When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.
Electronic IS with non-electrical contact lenses
Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.
Focal Length can be saved
Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.
High frame rates
The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.
Advanced Interface
The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.
Full Frame ND filter
Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.
New OSD layout
Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.
Anamorphic lens support
EOS C500 Mark II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing.
Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x squeeze anamorphic lenses (that cover a native 1.2:1 aspect ratio on the sensor) can be used as well, using a 4:3 cropped area of the sensor.
User LUT support
Users can customize their own LUTs and load them onto the camera for precise-look monitoring, also, users can apply different LUTs for each output terminal.
A new dedicated LUT button gives additional operational flexibility.
ACES Support
The EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems.
Additionally, video output from the camera can be monitored by selecting the ACES Proxy.
PHYSICAL
- Total Weight (KG)
-
1.75
- Total Dimensions (WxHxD) (mm)
-
153x148x168
MORE SPECIFICATIONS
- Power Consumption
-
Min. 100min of Video per charge.
- Extras
-
SD Card only for images.
User Viewing LUT input.
IP streaming and Genlock in/out only possible with optional EU-V1 or EU-V2.
GENERAL FEATURES
- Viewfinder
-
Optional
- LCD
-
4.3"
- Shutter speed
-
1 to 1/2000sec
- ISO
-
100-102400
CONNECTIONS
- No. of Video outputs
-
1/1/1
- No. of Audio inputs
-
2/1
- No. of Audio outputs
-
1/1/1
STILL IMAGE
- Max Image Resolution
-
1920x1080
LENS SYSTEM
- Sensor Resolution
-
18.69MP ( DIGIC DV7 image processor)
- Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)
- SanDisk 512GB Extreme PRO CFexpress Card
- Canon GR-V1 Camera Grip for EOS C200
- Canon LM-V2 4.3" LCD Monitor
- Canon LA-V2 LCD Attachment Unit
- Handle Unit
- Shoulder Strap
- Battery Charger
- Compact Power Adapter
- AC Power Cable
- Power Cord
- Canon BP-A60 Battery Pack
- Extension Unit Attachment Bracket
- Canon UN-5 Unit Cable
- 1/4" Hex Wrench
- M3 Hex Wrench
- M4 Hex Wrench
- 1/4" Hex Socket Head Bolt
- M3 Hex Socket Head Bolt
- Bolt Stopper
Pdf not available.
Canon C500 MarkII Footage
Canon C500 MarkII Review
Accessory
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Sensor Cleaner F24K
- Sensor Cleaner
- Contains 12 pieces of Sensor Cleaning Rod
- For Full Frame CCD, CMOS Sensors
- High dust-attracting Power
Battery
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-20%
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-20%
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-20%
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-20%
BP-A65 14.8V 6700mAh w USB
- Mini Battery
- For Canon Video Cameras
- 14.8V - USB/DTAP ouputs
- 6700mAh
Cable
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-20%
D-TAP Lemo Female for C500
- Power Cable
- D-TAP to Lemo Female
- For C100/C200/C300/C500 MKII
- 40cm Length
Case
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1510 Foam
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 501x193x279mm
- Dustproof/Crushproof/Watertight
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-20%
1510LFC Foam Pockets
- Handheld Hard Case with Pockets
- For Small Handheld Cameras & Laptop
- Interior(WxHxD): 501x193x279mm
- Dustproof/Crushproof/Watertight
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-20%
RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
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-20%
RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
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RunGun Cinema
- Handheld/Shoulder Bag?
- For Handheld/Cinema Cameras
- Interior(WxHxD):?470x310x240mm
- Dustproof/Shockproof/Waterproof
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-20%
Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
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-20%
Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Charger
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CG-A10
- Dual Charger
- For Canon mini Batteries
- For BP-A30 and BP-A60 Batteries
- 14.4V
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Mini 2-Channel with two plates
- High quality Dual Charger KIT
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
HOT
-20%
Mini 2-Channel without plates
- High quality Dual Charger with LCD
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
Converter
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EU-V1-Expansion-unit
- Expansion Unit
- For Canon C500 MarkII
- Sync BNC output
- Remote RS-422
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EU-V2-Expansion-unit
- Expansion Unit
- For Canon C500 MarkII
- Sync BNC output
- Remote RS-422
Lens
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100-400mm-F5-6.3-C
- Zoom Lens 100-400mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
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105mm T1.5 FF-F-CE
- Prime Cine Lens 105mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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135mm T2 FF-F-CE
- Prime Cine Lens 135mm (Metric)
- f/2 Μax Aperture
- Canon EF Mount
- Full Frame Format
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14-24mm F2.8 DG HSM EF
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Auto Focus
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14mm T2 FF-F-CE
- Prime Cine Lens 14mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Full Frame Format
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14mm-T3.1-VDSLR-MK-II-EF
- Prime Lens 14mm
- T3.1 Aperture
- Canon EF Mount
- For Full Frame & APS-C Sensors
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150-600mm-F5-6.3-EF
- Zoom Lens 150-600mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
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18-35mm T2 F-CE
- Zoom Cine Lens 18-35mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Super-35 Format
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18-35mm-f1.8DCHSM-Canon
- Zoom Lens 18-35mm
- f/1.8 Aperture
- Canon EF Mount
- Auto Focus
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20mm T1.5 FF-F-CE
- Prime Cine Lens 20mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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24-35mm T2.2 FF-F-CE
- Zoom Cine Lens 24-35mm (Metric)
- f/2.2 Aperture
- Canon EF Mount
- Full frame & APS-C Format
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-20%
24-70mm-F2.8DGOS-HSMC-EF
- Zoom Lens 24-70mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Full frame & APS-C Format
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24mm T1.5 FF-F-CE
- Prime Cine Lens 24mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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24mm-T1.5VDSLR-MK-II-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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35mm T1.5 FF-F-CE
- Prime Cine Lens 35mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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35mm-T1.5VDSLR-MK-II-EF
- Prime Lens 35mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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50-100mm T2 F-CE
- Zoom Cine Lens 50-100mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Super-35 Format
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50-100mm-F1.8DC-HSM-A-EF
- Zoom Cine Lens 50-100mm
- f/1.8 Aperture
- Canon EF Mount
- APS-C Format
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-20%
50mm T1.5 FF-F-CE
- Prime Cine Lens 50mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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50mm-T1.5VDSLR-MK-II-EF
- Prime Lens 50mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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70-200mm f2.8 Di VC USD G2 EF
- Zoom Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- LD (Low Dispersion)
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70-200mm F2.8DGOS HSM EF
- Zoom Cine Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- Full Frame & APS-C
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-20%
85mm T1.5 FF F CE
- Prime Cine Lens 85mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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85mm-T1.5VDSLR-MK-II-EF
- Prime Lens 85mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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ATX11-20-F2.8-PRODX-C
- Zoom Lens 11-20mm
- f/2.8 Aperture
- Canon EF Mount
- Auto Focus
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ATXi-11-16-F2.8-CF-Canon
- Zoom Lens 11-16mm
- f/2.8 Aperture
- Canon EF Mount
- 77mm Filter Size
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CZ.2-15-30mm-T2.9-EF
- Cine Zoom Lens
- 15-30mm
- T2.9 Max Aperture
- Canon EF-Mount
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CZ.2-28-80mm-T2.9-EF
- Cine Zoom Lens
- 28-80mm
- T2.9 Max Aperture
- Canon EF-Mount
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CZ.2-70-200mm-T2.9-EF
- Cine Zoom Lens
- 70-200mm
- T2.9 Max Aperture
- Canon EF-Mount
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EF 24-70mm f/2.8L II USM
- Zoom Lens 24-70mm
- f/2.8 Aperture
- Canon EF Mount
- Full Frame Format
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EF70-200mm-f2.8LIII-IS
- Zoom Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- Image Stabilizer & Auto Focus
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LWZ.3-21-100mm-T2.9-EF
- Cine Zoom Lens
- 21-100mm
- T2.9-3.9 Aperture
- Canon EF-Mount
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PAVO 100mm T2.4 2x Anamorphic
- Anamorphic Lens 100mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.4-T22
- Super35/APS-C Format
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PAVO 135mm T2.5 2x Anamorphic
- Anamorphic Lens 135mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.5-T22
- Super35/APS-C Format
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PAVO 180mm T2.8 2x Anamorphic
- Anamorphic Lens 180mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.8-T22
- Super35/APS-C Format
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PAVO 28mm T2.1 2x Anamorphic
- Anamorphic Lens 28mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
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PAVO 32mm T2.1 2x Anamorphic
- Anamorphic Lens 32mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
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PAVO 40mm T2.1 2x Anamorphic
- Anamorphic Lens 40mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
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PAVO 55mm T2.1 2x Anamorphic
- Anamorphic Lens 55mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
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PAVO 65mm T2.8 2x Anamorphic
- Anamorphic Lens 65mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.8-T22
- Super35/APS-C Format
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PAVO 75mm T2.1 2x Anamorphic
- Anamorphic Lens 75mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
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Pictor Zoom 20-55mm EF PL
- Cine Zoom Lens
- 20-55mm T2.8
- EF & PL Mounts
- Super35/APS-C
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Pictor Zoom 50-125mm EF PL
- Cine Zoom Lens
- 50-125mm T2.8
- EF & PL Mounts
- Super35/APS-C
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Xeen-135mm-T2.2-Cine-EF
- Prime Lens 135mm
- T2.2 Aperture
- Canon EF-Mount
- Full Frame & APS-C Format
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Xeen-24mm-T1.5-Cine-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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Xeen-35mm-T1.5-Cine-EF
- Prime Lens 35mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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Xeen-50mm-T1.5-Cine-EF
- Prime Lens 50mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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Xeen-85mm-T1.5-Cine-EF
- Prime Lens 85mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
Light
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LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
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LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
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C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
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Cardioid SM58S
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 15kHz response
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E-835S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -51dB
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E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
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E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
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E-935
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
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Handheld Beta 58A
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 16kHz response
Monopod
HOT
-20%
Aluminum w 18KG Payload
- Monopod
- For Handheld/Photo Cameras
- 18KG Payload
- 68-192cm
HOT
-20%
Aluminum w 8KG Payload
- Monopod with Fluid Head
- For Handheld/Photo Cameras
- 8KG Payload
- 78-203cm
HOT
-20%
Carbon Fiber w 20KG Payload
- Monopod
- For Handheld/Photo Cameras
- 20KG Payload
- 60-188cm
Phones
HOT
-20%
Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
HOT
-20%
Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
HOT
-20%
HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
HOT
-20%
HD 280 PRO II
- Dynamic Closed Headphones
- 8Hz - 25kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 64Ohm impedance
REC-Media
HOT
-20%
CF-Express B 128GB
- CF Express 128GB
- Write: 1200MB/sec
- Read: 1700MB/sec
- CF Express Type B
HOT
-20%
CF-Express B 256GB
- CF Express 256GB
- Write: 1200MB/sec
- Read: 1700MB/sec
- CF Express Type B
HOT
-20%
CF-Express B 512GB
- CF Express 512GB
- Write: 1400MB/sec
- Read: 1700MB/sec
- CF Express Type B
HOT
-20%
CF-Express B 64GB
- CF Express 64GB
- Write: 800MB/sec
- Read: 1500MB/sec
- CF Express Type B
Reader
HOT
-20%
CF Express Card Reader
- USB Card Reader
- CF Express Cards
- USB-C Connection
- USB3.1 Gen2
Supplier
HOT
-20%
40Watt 8.4/4.8A for Dummy
- Power Supplier
- For C100-C500 & XF100-305 Models
- For LP-E6/E8/NP-FW50/FZ100 Dummy
- 40W 8.4 V / 4.8A Output
Tripod
HOT
-20%
ACE M GS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 58-173cm
HOT
-20%
ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
HOT
-20%
ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
HOT
-20%
ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
HOT
-20%
ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
HOT
-20%
ACE-M-GS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 57-173cm
HOT
-20%
ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
Aktiv10-Flowtech-100-GS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Ground spreader
- Aktiv10 instant mounting
HOT
-20%
Aktiv10-Flowtech-100-MS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Mid spreader
- Aktiv10 instant mounting
HOT
-20%
Aktiv6-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Ground spreader
- Aktiv6 instant mounting
HOT
-20%
Aktiv6-Flowtech-75-MS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Mid spreader
- Aktiv6 instant mounting
HOT
-20%
Aktiv8-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
HOT
-20%
Aktiv8T-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
HOT
-20%
Aluminum FreeBlazer AD-80
- Tripod Kit for Video Cameras
- FreeSpeed
- 8KG Max. Payload
- 1.91M Max. Height
HOT
-20%
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
HOT
-20%
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Viewfinder
Wireless
HOT
-20%
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
HOT
-20%
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
HOT
-20%
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
HOT
-20%
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
HOT
-20%
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
HOT
-20%
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out