Sony - Camera
A7S III Full-Frame Mirrorless
3,351.21 EUR
3,217.16 EUR
- MFR-CODE: ILCE7SM3B
- BLK-CODE: 260-0079
- Mirrorless Camera
- XAVCS / XAVCHS / XAVCI 4K
- Up to 600Mbps - Up to 240fps
- Full frame 12.1MP Sensor
- ISO expandable to 40- 409600
- 5-axis Stabilizer
- 2x SD-HC/SD-XC
- 4K Micro-HDMI Output
For visual trailblazers
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers.
Large pixels deliver high sensitivity and low noise
The new full-frame 12.1-megapixel3 back-illuminated Exmor RTM CMOS image sensor packs major innovations in light-gathering, wiring and output optimization. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF.
Up to 8x more powerful5 BIONZ XRTM image processor
Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power5. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness.
Stunning AF performance even at 4K 120p
The new Exmor R full-frame image sensor and revolutionary BIONZ XR image-processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular.
10-bit 4:2:2 recording
Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing.
All-Intra encoding available
As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows.
Superior quality and smaller files with XAVC HS
The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes.
Our renowned sensitivity delivers expanded ISO 409600
The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimization, the 12.1-megapixel3 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near-total darkness.
S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders
The S-Log3 gamma curve and S-Gamut3.Cine color gamut, shared with pro camcorders, provide wider dynamic range and easier color matching for smoother post-production workflows.
HLG (Hybrid Log-Gamma)
HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit color depth.
Example image
Image quality improvements
The new BIONZ XR image processing engine delivers improvements in color reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter.
16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output7 is available via HDMI connection to compatible external recorders8 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera.
Efficient editing through proxy recording
While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera9. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery.
Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates.
Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation.
Real-time Eye AF for movies
Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30%10 on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.
Real-time Tracking with intuitive touch operation
Real-time Tracking analyzes subject color, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.
In-body 5-axis image stabilization
A highly accurate image stabilization unit and gyro-sensor are provided, delivering 5-axis optical image stabilization.
Active Mode for hand-held shooting
The new Active Mode provides increased stabilization for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution.
Digital audio interface for clear sound recording
A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch.
Unique heat dissipation, for dependable recording
A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilization unit. This dissipates heat 5x more effectively for extended recording time, without interfering with image stabilization.
Movie-shooting comfort
Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved.
High ISO sensitivity
With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness.
Example image
Fast Hybrid AF for stills
The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame.
Example image
Outstanding continuous shooting performance
Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible15.
Highly-sensitive AF for low-light focusing
AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-616, where subjects are barely even visible with the naked eye.
Still-image quality advances through new sensor and engine
The newly-developed image sensor and image processing engine deliver improvements in color reproduction, particularly of skin tones, and texture depiction in still images.
New HEIF format and HLG image capture modes
The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit color. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs.
Two CFexpress Type A-compatible media slots
Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available.
Vari-angle LCD monitor for comfortable movie shooting
The variable-angle 1.44 million-dot18 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs.
9.44 million-dot18 high-definition electronic viewfinder
The new EVF offers resolution, contrast and color unlike anything in its class19. It also offers world-leading 0.9x finder magnification, a 41 ° diagonal field of view, and a 25-mm-high eyepoint.
Advanced operability
The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes.
New menu structure
Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation.
Intuitive touch operation
The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved.
5 GHz25 Wi-Fi compatible
As well as 2.4 GHz, 5 GHz25 Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video.
Wired LAN connectivity
For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera's USB Type C® port.
Remote preview and shooting
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments.
Imaging Edge DesktopTM
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"26 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Capture One for Sony
Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management, and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers.
Large pixels deliver high sensitivity and low noise
The new full-frame 12.1-megapixel3 back-illuminated Exmor RTM CMOS image sensor packs major innovations in light-gathering, wiring and output optimization. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF.
Up to 8x more powerful5 BIONZ XRTM image processor
Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power5. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness.
Stunning AF performance even at 4K 120p
The new Exmor R full-frame image sensor and revolutionary BIONZ XR image-processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular.
10-bit 4:2:2 recording
Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing.
All-Intra encoding available
As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows.
Superior quality and smaller files with XAVC HS
The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes.
Our renowned sensitivity delivers expanded ISO 409600
The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimization, the 12.1-megapixel3 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near-total darkness.
S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders
The S-Log3 gamma curve and S-Gamut3.Cine color gamut, shared with pro camcorders, provide wider dynamic range and easier color matching for smoother post-production workflows.
HLG (Hybrid Log-Gamma)
HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit color depth.
Example image
Image quality improvements
The new BIONZ XR image processing engine delivers improvements in color reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter.
16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output7 is available via HDMI connection to compatible external recorders8 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera.
Efficient editing through proxy recording
While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera9. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery.
Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates.
Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation.
Real-time Eye AF for movies
Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30%10 on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.
Real-time Tracking with intuitive touch operation
Real-time Tracking analyzes subject color, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.
In-body 5-axis image stabilization
A highly accurate image stabilization unit and gyro-sensor are provided, delivering 5-axis optical image stabilization.
Active Mode for hand-held shooting
The new Active Mode provides increased stabilization for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution.
Digital audio interface for clear sound recording
A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch.
Unique heat dissipation, for dependable recording
A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilization unit. This dissipates heat 5x more effectively for extended recording time, without interfering with image stabilization.
Movie-shooting comfort
Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved.
High ISO sensitivity
With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness.
Example image
Fast Hybrid AF for stills
The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame.
Example image
Outstanding continuous shooting performance
Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible15.
Highly-sensitive AF for low-light focusing
AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-616, where subjects are barely even visible with the naked eye.
Still-image quality advances through new sensor and engine
The newly-developed image sensor and image processing engine deliver improvements in color reproduction, particularly of skin tones, and texture depiction in still images.
New HEIF format and HLG image capture modes
The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit color. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs.
Two CFexpress Type A-compatible media slots
Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available.
Vari-angle LCD monitor for comfortable movie shooting
The variable-angle 1.44 million-dot18 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs.
9.44 million-dot18 high-definition electronic viewfinder
The new EVF offers resolution, contrast and color unlike anything in its class19. It also offers world-leading 0.9x finder magnification, a 41 ° diagonal field of view, and a 25-mm-high eyepoint.
Advanced operability
The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes.
New menu structure
Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation.
Intuitive touch operation
The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved.
5 GHz25 Wi-Fi compatible
As well as 2.4 GHz, 5 GHz25 Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video.
Wired LAN connectivity
For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera's USB Type C® port.
Remote preview and shooting
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments.
Imaging Edge DesktopTM
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"26 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Capture One for Sony
Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management, and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
128x96x69
- Total Weight (KG)
-
0.614
MORE SPECIFICATIONS
- Power Consumption
-
7.6Watt (7.2V/1.05A)
- Extras
-
Image Sensor-Shift mechanism with 5-axis compensation.
Flash compensation.
759 Focus points.
External Recording Raw 16-Bit 4.2K up to 60p.
GENERAL FEATURES
- Viewfinder
-
0.64"
- ISO
-
80-102400 (expandable to 40- 409600)
- LCD
-
3" TFT
- Shutter speed
-
1/4sec to 1/8000sec
CONNECTIONS
- No. of Audio outputs
-
1
- No. of Audio inputs
-
1
- No. of Video outputs
-
1
LENS SYSTEM
- Sensor Resolution
-
12.1MP
STILL IMAGE
- Max Image Resolution
-
4240x2832pixels (12MP)
- Continuous Shooting
-
10 Shots/sec
- AC Adapter AC-UUD12
- Accessory shoe cap
- Body cap
- Eyepiece cup
- Micro USB cable
- Rechargeable Battery NP-FZ100
- Shoulder strap
Pdf not available.
Sony A7S III Footage
Sony A7S III Review
Accessory
HOT
-20%
Camera Cooling System
- Cooling System
- For Sony,FUJIFILM,Canon Cameras
- USB-C for Input and Power?
- Mounting via Brackets
HOT
-20%
Cleaning Kit 3in1
- Cleaning Kit
- For Cameras, Lenses and sensors
- Air Blower for Lens and Sensor
- Cleaning Pen for Lenses
HOT
-20%
HDMI Clamp for A7S III
- HDMI Clamp
- For Sony A7S III
- For SmallRig Cage 2999
- 1/4" Screw
HOT
-20%
Sensor Cleaner F24K
- Sensor Cleaner
- Contains 12 pieces of Sensor Cleaning Rod
- For Full Frame CCD, CMOS Sensors
- High dust-attracting Power
Adapter
HOT
-20%
Advanced V-Mounting System
- Battery Adapter
- V-Mount Plate & Arca Plate
- 15mm Rod Diameter
- 5KG Payload
HOT
-20%
B4-Sony-E
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
HOT
-20%
BT5 EF to E-mount
- Electronic?Lens Adapter T
- For E-mount Cameras
- For Canon EF Lenses
- Smooth Auto Focus Support
HOT
-20%
BT6 Cine EF to E-mount
- Electronic?Lens Adapter Cine T
- For E-mount Cameras
- For Canon EF Lenses
- Partial Auto Focus support
HOT
-20%
CanonEF-SonyE
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For EF-Mount Canon Lenses
- No Auto Focus support
HOT
-20%
Compact V-Mounting System
- Battery Adapter
- V-Mount Plate & Arca Plate
- 5KG Payload
- Up to 36.5mm Extendable Baseplate
HOT
-20%
D-TAP to NP-FZ100 Dummy
- Power Adapter
- D-TAP to Sony 7.4V Regulated
- NP-FZ100 Dummy Battery
- Gives Power to Sony A9/ A7R III/ A7S III
HOT
-20%
Dual CH Digital XLR w Shotgun
- Dual Channel Audio Adapter Kit
- With?ECM-XM1 Shotgun Microphone
- 2x XLR Combo & 1x Jack 3.5mm Mic Inputs
- Multi Interface Shoe
HOT
-20%
Dummy NP-FZ100 Type
- Dummy Battery
- Sony NP-FZ100 type plate
- 8V, 3A
- For Sony A7RIII, A7III
HOT
-20%
E to EF Mount Canon
- Mechanical?Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
HOT
-20%
E to F Mount G
- Mechanical?Lens Adapter
- For E-Mount Sony Cameras
- For F-Mount Nikon Lenses
- No Focus Control
HOT
-20%
EOS NEX EF to E-mount
- Mechanical Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
HOT
-20%
F-mount G to E-mount
- Mechanical Lens Adapter
- For E-mount Cameras
- For NikonG? F-Mount Lenses
- No Focus & Aperture Control
HOT
-20%
Focus-Sony-FZ100
- Battery Adapter
- For SmallHD Focus Monitor
- Barrel to NP-FZ100
- For Sony A Series Cameras
HOT
-20%
GP-DV-A7S
- Battery Adapter
- For Sony A7S/A7R/A7SII/A7RII
- Fits to Switronix PB70 battery pack
- 11-17V DC Input
HOT
-20%
MC-11
- Electronic?Lens Adapter
- For E-mount Cameras
- For Canon EF Lenses
- Partial Auto Focus support
HOT
-20%
NikonG to SonyE
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For F-Mount Nikon Lenses
- No Aperture Control
HOT
-20%
NikonG-NEX
- Mechanical Lens Adapter
- For E-Mount Sony Cameras
- For F-Mount Nikon Lenses
- No Focus Control
HOT
-20%
NPF Plate w Cold Shoe
- Battery - Power adapter
- Sony NPF type battery
- Barrel DC 8.4V? & USB 5V Outputs
- Hot Shoe or 1/4" screw?
HOT
-20%
PL-SonyE
- Mechanical Lens Adapter
- For E-mount Sony Camera
- For PL-Mount Lenses
- No Aperture Control
HOT
-20%
Rhino-Mount-2
- Hot Shoe Mount with Rod
- 15mm Rod
- 5cm Rod Length
- For DSLR/Mirrorless Cameras
HOT
-20%
Rhino-Mount-4
- Hot Shoe Mount with Rod
- 15mm Rod
- 10cm Rod Length
- For DSLR/Mirrorless Cameras
HOT
-20%
Rhino-Mount-6
- Hot Shoe Mount with Rod
- 15mm Rod
- 15cm Rod Length
- For DSLR/Mirrorless Cameras
HOT
-20%
Rotatable Mount Plate A-Series
- Baseplate Kit
- For Select Sony A-Series Cameras
- For Sony FX3 & FX30 Cameras
- Quick Horizontal to Vertical Rotation
HOT
-20%
Rotatable Mount Plate for A7RV
- Baseplate Kit
- For Sony A7R V / A7 IV
- For Sony A7S III / A7R IV
- Quick Horizontal to Vertical Rotation
HOT
-20%
Rotatable Mount Plate R-Series
- Baseplate Kit
- For Select Canon R-Series Cameras
- Quick Horizontal to Vertical Rotation
- Supports Arca-Type/RC2 Tripod Heads
Audio Mixer
HOT
-20%
DXA-SLR-Mini
- Portable Audio Mixer
- 2x mono Jack 3.5mm input
- 2x stereo Jack 3.5mm input
- 1x Jack 3.5mm output to camera
HOT
-20%
MixMic
- Portable Audio Mixer
- Includes Shotgun microphone 2x 3-pin XLR inputs 3.5mm Jack output
- For DSLR Cameras
- Hot shoe to fit on the camera
Battery
HOT
-20%
HOT
-20%
NP-FZ100 7.4V 2280mAh
- High Quality Li-ion Mini Battery
- Sony NP-FZ100 type battery
- For Sony A7III, A7RIII, A7SIII
- 7.4V, 2280mAh, 16.9Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
HOT
-20%
NP-FZ100 with USB-C Port
- Mini Battery with USB-C Port
- For Sony Photo Cameras
- 8.4 Input / 7.2V Output
- 2400mAh
Cable
HOT
-20%
Spring Control USB-C to Multi
- Control Cable
- Type C to Multi
- For Multiple Sony Cameras
- Max. Length: 0.8m
Cage
HOT
-20%
Advanced Kit for A7IV A7SIII
- Cage Kit for Cameras
- For Sony A7-IV/7R-V/A7S-III
- 1/4" and 3/8" Threads
- Cold Shoe
HOT
-20%
Aluminum Basic Kit for A7R-V
- Aluminum Cage Kit
- For A7R-V/A7R-IV and A7S-III
- Top Handle & HDMI Cable Clamp
- 1/4" Threads & Cold Shoe
HOT
-20%
Aluminum for A7IV A7SIII A1
- Aluminum Cage for Cameras
- For A7R-V/A7R-IV/A7-IV/A7S-III
- 1/4" and 3/8" Threads
- 2x Cold Shoe Mounts
HOT
-20%
Aluminum for A7R-V A7-IV
- Aluminum Cage for Cameras
- For Sony A7R-V/A7-IV/ A7S III
- Fits with VG-C4EM Battery Grip
- 1/4" and 3/8" Threads
HOT
-20%
Aluminum for A7S III
- Aluminum, Stainless steel Cage
- For ?Sony a7S III - Black Color
- 1/4" Threads & cold shoe
- Manfrotto and Arca Swiss for tripod
HOT
-20%
Aluminum for A7SIII
- Aluminum Cage
- For Sony A7S-III Camera
- 1/4" and 3/8" Threads
- Cold Shoe
HOT
-20%
Aluminum L-Bracket for A9II
- L-Bracket
- Arca Type
- For Sony A1, A7SIII, A7RIV, A9II
- 1/4" Screw for the camera
HOT
-20%
Rhinoceros for A7RV A7IV
- Aluminum Cage for Cameras
- For A7R-V/A7-IV/A7S-III
- 1/4" and 3/8" Threads
- 2x Cold Shoe Mounts
Case
HOT
-20%
1500 Dividers
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 425x155x284mm
- Dustproof/Crushproof/Watertight
HOT
-20%
1500 Foam
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 425x155x284mm
- Dustproof/Crushproof/Watertight
HOT
-20%
PSK-7
- Shoulder Bag?
- For Slidekamera Controller
- For Photo Cameras/Accessories
- Interior(WxHxD): 200x250x70mm
HOT
-20%
RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun Cinema
- Handheld/Shoulder Bag?
- For Handheld/Cinema Cameras
- Interior(WxHxD):?470x310x240mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun Small
- Handheld/Shoulder Bag?
- For small Handheld Cameras
- Interior(WxHxD):?380x210x200mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Vesta Aspire 25
- Shoulder Bag
- Suitable for Photo Cameras
- Interior(WxHxD): 260x170x210mm
- Holds DSLR, 4x Lenses, Accessories
HOT
-20%
Vesta Aspire 30
- Shoulder Bag
- Suitable for Photo Cameras
- Interior(WxHxD): 300x170x210mm
- Holds 2x DSLR, 4x Lenses, Accessories
HOT
-20%
Vesta Aspire 33
- Shoulder Bag
- Suitable for Photo Cameras
- Interior(WxHxD): 330x135x235mm
- Holds DSLR, 5x Lenses, Accessories
Charger
HOT
-20%
HOT
-20%
Mini 2-Channel with two plates
- High quality Dual Charger KIT
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
HOT
-20%
Mini 2-Channel without plates
- High quality Dual Charger with LCD
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
Controller
HOT
-20%
Focus Pro All-In-One Combo
- Focusing System Set
- For DJI RS 3 & RS 4 Pro Gimbals
- Incl. Focus Pro LiDAR, Grip, Motor,Handle Unt
- Works with Selected Cameras
HOT
-20%
Focus Pro Creator Combo
- Focusing System Set
- For DJI RS 3 & RS 4 Pro Gimbals
- Includes Focus Pro LiDAR, Grip & Motor
- Works with Selected Cameras
HOT
-20%
Nucleus Nano II System
- Wireless Follow Focus
- Camera, Focus & Motor Control
- For Tilta Wireless Lens Control Systems
- NATO Clamp, 15mm Rod Clamp
Cover
HOT
-20%
HoodEye for A7
- Eyecup
- For Sony A7/A7R/A7S
- For Sony A7SII, A7III/ A7RIV
- Slides over eyepiece mounting rails
HOT
-20%
HOT
-20%
Sunhood for Alpha
- Sunhood
- Easier Viewing in Sunlight
- For Sony Alpha 7S III/Alpha 7C/ZV-1/FX3
- Protect from glare in outdoor shootings
Grip
HOT
-20%
Multi Adapter NP AMQZ1K
- Battery Grip
- For Sony A7III/A7RIII/A7SIII
- 4x NP-FZ100/FW50 Battery Trays
- Hot Swappable Batteries
HOT
-20%
Power Station for Photo
- Battery Grip
- For Recorders and Cameras
- DC outputs & USB
- Includes 2x 2600mAh NP Batteries
Handle
HOT
-20%
Nato Top with Start/Stop
- Aluminum Top Handle
- Start/Stop Remote Trigger Button
- Locks via NATO Clamp
- 3x Cold Shoe Slots
Lens
HOT
-20%
100mm-T3.1VDSLR-E-Macro
- Prime Lens 100mm
- T3.1 Max Aperture
- Sony E Mount
- Full Frame & APS-C Format
HOT
-20%
105mm T1.5 FF-F-VE
- Prime Cine Lens 105mm (Metric)
- f/1.5 Μax Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
135mm-T2.2VDSLR-E
- Prime Lens 135mm
- T2.2 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
14-24mm F2.8 DG DN E
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Sony E Mount
- Auto Focus
HOT
-20%
14mm-T3.1VDSLR-MK-II-E
- Prime Lens 14mm
- T3.1 Aperture
- Sony E-Mount
- For Full Frame & APS-C Sensors
HOT
-20%
HOT
-20%
17-28mm f2.8Di III RXD E
- Zoom Lens 17-28mm
- f/2.8 Aperture
- Sony E Mount
- Auto Focus
HOT
-20%
17-70mm f/2.8 Di III-A VC RXD E
- Zoom Lens 17-70mm
- f/2.8-f/16 Aperture
- Sony E Mount
- Auto Focus
HOT
-20%
18-300mm f3.5-6.3 Di III VXD E
- Zoom Lens 18-300mm
- f/3.5-6.3 Aperture
- Sony E Mount
- APS-C Format
HOT
-20%
20mm-F1.8ED-AS-UMC-E
- Prime Lens 20mm
- F1.8 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
24-35mm T2.2 FF-F-VE
- Zoom Cine Lens 24-35mm (Metric)
- f/2.2 Aperture
- Sony E Mount
- Full frame & APS-C Format
HOT
-20%
24mm-T1.5VDSLR-MK-II-E
- Prime Lens 24mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
35-150mm f2.8Di III VXD E
- Zoom Lens 35-150mm
- f/2.8 Aperture
- Sony E Mount
- VXD Auto Focus
HOT
-20%
35mm-T1.5VDSLR-MK-II-E
- Prime Lens 35mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
50-100mm T2 F-VE
- Zoom Cine Lens 50-100mm (Metric)
- f/2 Aperture
- Sony E Mount
- Super-35 Format
HOT
-20%
50mm-T1.5VDSLR-MK-II-E
- Prime Lens 50mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
70-180mm f2.8 Di III VC VXD G2
- Zoom Lens 70-180mm
- f/2.8-22 Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
85mm-T1.5VDSLR-MK-II-E
- Prime Lens 85mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 135mm f2.8 E
- Prime Lens 135mm
- F2.8 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 18mm f2.8 E
- Prime Lens 18mm
- F2.8 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 25mm f2 E
- Prime Lens 25mm
- F2.0 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 40mm f2 E
- Prime Lens 40mm
- F2.0 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Batis 85mm f1.8 E
- Prime Lens 85mm
- F1.8 Max. Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
CP3-100mm-T2.1-E
- Prime Lens 100mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-135mm-T2.1-E
- Prime Lens 135mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-15mm-T2.9-E
- Prime Lens 15mm
- T2.9 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-18mm-T2.9-E
- Prime Lens 18mm
- T2.9 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-21mm-T2.9-E
- Prime Lens 21mm
- T2.9 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-25mm-T2.1-E
- Prime Lens 25mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-28mm-T2.1-E
- Prime Lens 28mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-35mm-T2.1-E
- Prime Lens 35mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-50mm-T2.1-E
- Prime Lens 50mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
CP3-85mm-T2.1-E
- Prime Lens 85mm
- T2.1 Max. Aperture
- E-Mount - Metric
- Full Frame Format
HOT
-20%
E 10-18mm f4 OSS
- Zoom Lens 10-18mm
- f/4 Max. Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
HOT
-20%
E PZ 18-105mm f.4 G OSS
- Zoom Lens 18-105mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
HOT
-20%
E PZ 18-110mm f.4 G OSS
- Zoom Lens 18-110mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
HOT
-20%
FE 12-24mm f2.8 GM E
- Zoom Lens 12-24mm
- f/2.8 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
FE 12-24mm f4 G
- Zoom Lens 12-24mm
- f/4 Max. Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
FE 14mm f1.8 GM E
- Prime Lens 14mm
- f/1.8 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
FE 16-35mm f.4 ZA OSS
- Zoom Lens 16-35mm
- f/4 Max. Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 16-35mm f2.8GM E
- Zoom Lens 16-35mm
- f/2.8 Max. Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-105mm F4G OSS
- Zoom Lens Vario-Tessar 24-105mm
- f/4 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-240mm f3.5-6.3 OSS
- Zoom Lens 24-240mm
- f/3.5-6.3 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-70mm f.4 ZA OSS
- Zoom Lens Vario-Tessar 24-70mm
- f/4 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 24-70mm f2.8 GM E
- Zoom Lens 24-70mm?
- f/2.8 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
FE 24-70mm f2.8 GM2 E
- Zoom Lens 24-70mm
- f/2.8 Max. Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
FE 28-70mm f3.5-5.6 OSS
- Zoom Lens 28-70mm
- f/3.5-5.6 Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
HOT
-20%
HOT
-20%
HOT
-20%
FE 50mm f1.4 GM E
- Prime Lens 50mm
- f/1.4 Max. Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
HOT
-20%
FE 50mm f2.8 Macro
- Prime Lens 50mm Macro
- f/2.8-f/16 Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
HOT
-20%
FE 70-200mm f.4 G OSS
- Zoom Lens 70-200mm-F4G-OSS
- f/4 Max Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 70-200mm f2.8 GM E
- Zoom Lens 70-200mm
- f/2.8 Max Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 70-200mm f2.8 GM2 E
- Zoom Lens 70-200mm
- f/2.8 Max Aperture
- Sony E-Mount
- Image Stabilizer & Auto Focus
HOT
-20%
FE 85mm f1.4 GM
- Prime Lens 85mm
- f/1.4 Max. Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
FE 90mm f2.8 Macro G OSS
- Prime Lens 90mm
- f/2.8-f/22 Aperture
- Sony E-Mount
- Auto Focus - Macro
HOT
-20%
FE PZ 28-135mm f.4 G OSS
- Zoom Lens 28-135mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
HOT
-20%
Loxia 21mm f2.8 E
- Prime Lens 21mm
- f/2.8-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Loxia 35mm f2 E
- Prime Lens 35mm
- f/2-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Loxia 50mm f2 E
- Prime Lens 50mm
- f/2-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Loxia 85mm f2.4 E
- Prime Lens 85mm
- f/2.4-f/22 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
MK 18-55mm T2.9 E Cine
- Cine Zoom Lens
- 18-55mm
- T2.9 Max Aperture
- Sony E-Mount
HOT
-20%
MK 50-135mm T2.9 E Cine
- Cine Zoom Lens
- 50-135mm
- T2.9 Max Aperture
- Sony E-Mount
HOT
-20%
Planar T FE 50mm f1.4 ZA
- Prime Lens 50mm
- f/1.4-f/16 Aperture
- Sony E-Mount
- Auto Focus
HOT
-20%
Simera 28mm f1.4 E
- Prime Lens 28mm
- f1.4 Max. Aperture
- E-Mount
- Full Frame Format
HOT
-20%
Simera 35mm f1.4 E
- Prime Lens 35mm
- f1.4 Max. Aperture
- E-Mount
- Full Frame Format
HOT
-20%
Simera-C 21mm T1.5 Cine E
- Prime Cine Lens 21mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 28mm T1.5 Cine E
- Prime Cine Lens 28mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 35mm T1.5 Cine E
- Prime Cine Lens 35mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 50mm T1.5 Cine E
- Prime Cine Lens 50mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
Simera-C 75mm T1.5 Cine E
- Prime Cine Lens 75mm
- T1.5 - T16 Aperture
- Sony E-Mount
- Full Frame Format
HOT
-20%
SP3 32mm T2.4 Full-Frame E
- Prime Cine Lens 32mm
- f2.4 Μax Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
SP3 50mm T2.4 Full-Frame E
- Prime Cine Lens 50mm
- f2.4 Μax Aperture
- Sony E Mount
- Full Frame Format
HOT
-20%
Xeen-135mm-T2.2-Cine-E
- Prime Lens 135mm
- T2.2 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-24mm-T1.5-Cine-E
- Prime Lens 24mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-35mm-T1.5-Cine-E
- Prime Lens 35mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-50mm-T1.5-Cine-E
- Prime Lens 50mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-85mm-T1.5-Cine-E
- Prime Lens 85mm
- T1.5 Aperture
- Sony E-Mount
- Full Frame & APS-C Format
Light
HOT
-20%
F60RM2 Wire Radio
- On Camera Flash Light
- Built-in Radio Wireless System
- Suitable for Sony ADI / P-TTL
- Focal Length Coverage: 14-200mm
HOT
-20%
LED DL160T 13x10cm
- On Camera LED Light - 13x10cm
- 160LED 950lux @1m
- 5600K (3200K with included filters)
- 1x Sony F970 Type Plate
HOT
-20%
LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
HOT
-20%
LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
HOT
-20%
RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
HOT
-20%
V1S Round Head TTL
- On Camera Flash Light
- Wireless Operation System up to 100m
- Compatible with Sony ADI / P-TTL
- Focal Length Coverage: 28-105mm
Microphone
HOT
-20%
CamMic Shotgun
- Shotgun Microphone
- Condenser Cardioid Jack 3.5mm output
- Hot Shoe - 3/8" thread
- Low Cut Filter
HOT
-20%
ECM-GZ1M Gun Zoom
- Shotgun Microphone
- For Cameras w Multi-Interface Shoe
- Electret Condenser Super Cardioid
- 150Hz - 15kHz Frequency Response
HOT
-20%
MKE 400 MKII
- Shotgun Microphone
- Electret Super Cardioid Mic
- 50Hz - 20kHz Frequency Response
- 132dB Max SPL
HOT
-20%
MKE 600
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMic Go
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 100Hz - 16kHz Frequency Response
- Sensitivity: -35dB
HOT
-20%
Videomic NTG
- Shotgun Microphone
- Electret Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -26dB
HOT
-20%
VideoMic Pro Plus
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -33.6dB
HOT
-20%
VideoMic Pro Rycote
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -32dB - 9V Battery
HOT
-20%
VideoMic Rycote
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -38dB - 9V Battery
HOT
-20%
VideoMicME
- Shotgun Microphone for iPhones
- Condenser Cardioid Mic
- 100Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMicro
- Shotgun Microphone
- Condenser Cardioid Mic
- 100Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMicro-II
- Shotgun Microphone
- Condenser SuperCardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -30dB
HOT
-20%
Vmic-Mini
- Shotgun Microphone
- For DSLR Cameras/Phones
- Condenser Cardioid Jack 3.5mm output
- Hot Shoe
Monitor
HOT
-20%
4.8 inch LCD HDMI
- On-Camera Monitor
- LCD 4.8" 800x480Pixel
- HDMI IN/OUT
- Zoom Trigger
HOT
-20%
Shinobi II
- On-Camera Monitor
- HDMI 4K Input
- Up to 4K 4096x2160 @25/30P
- 5.2" LCD 1920x1080 Touch Panel
HOT
-20%
Monopod
HOT
-20%
Aluminum w 18KG Payload
- Monopod
- For Handheld/Photo Cameras
- 18KG Payload
- 68-192cm
HOT
-20%
Aluminum w 8KG Payload
- Monopod with Fluid Head
- For Handheld/Photo Cameras
- 8KG Payload
- 78-203cm
HOT
-20%
Carbon Fiber w 20KG Payload
- Monopod
- For Handheld/Photo Cameras
- 20KG Payload
- 60-188cm
REC-Media
HOT
-20%
CF Express A 160GB
- CF Express 160GB
- Write: 700MB/sec
- Read: 800MB/sec
- CF Express Type A
HOT
-20%
SDXC Extreme Pro 128GB V90 300
- SDHC/SDXC Card 128GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
HOT
-20%
SDXC256EXT PROII V90 300M
- SDHC/SDXC Card 256GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
HOT
-20%
SDXC64EXT PROII V90 300M
- SDHC/SDXC Card 64GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
HOT
-20%
SF-G SDXC64 V90 300M
- SDXC Card 64GB
- Write: 30MB/sec
- Read: 300MB/sec
- C10, UHS-II, V90
Reader
HOT
-20%
ImageMate Pro USBC
- USB Card Reader
- SDHC/SDXC/MicroSD/CF Cards
- Max Transfer Speed: 500MB/sec
- USBC Connection-USB3.0 interface
HOT
-20%
USB 3.1 Type-C for SD and CF
- USB Card Reader
- 3x Card Slots
- SDHC/SDXC/MicroSD/CF Cards
- USB 3.1 Gen 1 (USB 5Gbps)
Recorder
HOT
-20%
DR-60D-MKII
- 4CH On-Camera Audio Recorder
- 2x XLR Combo, 2x Jack 3.5mm inputs
- 1x Jack 3.5mm phone output
- 2x Jack 3.5mm Outputs
HOT
-20%
DR-70D
- 4CH On-Camera Audio Recorder
- 2x Omni-Directional Microphones
- 4x XLR Combo, 2x Jack 3.5mm inputs
- 1x Jack 3.5mm Phone output
HOT
-20%
H5 4-Input
- 5CH Handheld Audio Recorder
- 2x Omni-Directional Mics X/Y
- 2x XLR, 1x Jack 3.5mm inputs
- Phantom Power 48V+
HOT
-20%
Video Assist 7 3G
- On-Camera Recorder/Monitor
- 7" Touchscreen LCD
- 3G-SDI IN/OUT & HDMI IN
- 1920x1080 50P/60P
Stabilizer
HOT
-20%
Crane 4
- Handheld 3-Axis Gyro Stabilizer
- For Cine/Photo Cameras
- Payload: 6 KG
- Extended Arm for Full-Frame Lenses
HOT
-20%
Crane M2 S
- Handheld Gyro Stabilizer
- For Photo and Action Cameras
- Payload: Approx. 1KG 6 Operation Modes, Built-In Fill Light
- Roll/Tilt/Pan Angles
HOT
-20%
Flycam Redking
- Stabilizer for Cameras
- 7KG Payload
- Min Height: 53cm
- Max Height: 81cm
HOT
-20%
MG-Lite
- Handheld Gyro Stabilizer
- For Light Photo Cameras
- 360° Roll/Tilt/Pan Angles
- Firmware upgradeable
HOT
-20%
Ronin RS3
- Handheld 3-Axis Gimbal
- Compatible with DSLR/Pro Cameras
- For Sony a7S III/Canon R5
- 3KG Payload
HOT
-20%
Ronin RS3 Combo
- Handheld 3-Axis Gimbal Combo
- Compatible with DSLR/Pro Cameras
- For Sony a7S III/Canon R5
- 3KG Payload
HOT
-20%
Ronin RS4
- Handheld 3-Axis Gimbal
- Compatible with DSLR/Pro Cameras
- 3KG Payload
- Lightweight Design
HOT
-20%
Ronin RS4 Combo
- Handheld 3-Axis Gimbal Combo
- Compatible with DSLR/Pro Cameras
- 3KG Payload
- Lightweight Design
HOT
-20%
Weebill 3
- Handheld Gimbal Stabilizer
- For Photo Cameras
- Roll/Tilt/Pan Angles
- Payload: 6.5KG
HOT
-20%
Weebill 3S
- Handheld 3-Axis Gyro Stabilizer Integrated 1000 Lux Fill Light
- For Photo Cameras
- Payload: 6.5KG
- Roll/Tilt/Pan Angles
Tripod
HOT
-20%
ACE M GS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 58-173cm
HOT
-20%
ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
HOT
-20%
ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
HOT
-20%
ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
HOT
-20%
ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
HOT
-20%
ACE-M-GS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 57-173cm
HOT
-20%
ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
Aktiv10-Flowtech-100-GS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Ground spreader
- Aktiv10 instant mounting
HOT
-20%
Aktiv10-Flowtech-100-MS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Mid spreader
- Aktiv10 instant mounting
HOT
-20%
Aktiv6-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Ground spreader
- Aktiv6 instant mounting
HOT
-20%
Aktiv6-Flowtech-75-MS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Mid spreader
- Aktiv6 instant mounting
HOT
-20%
Aktiv8-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
HOT
-20%
Aktiv8T-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
HOT
-20%
Aluminum FreeBlazer AD-80
- Tripod Kit for Video Cameras
- FreeSpeed
- 8KG Max. Payload
- 1.91M Max. Height
HOT
-20%
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
HOT
-20%
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Viewfinder
Wireless
HOT
-20%
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
HOT
-20%
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
HOT
-20%
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
HOT
-20%
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
HOT
-20%
Remote for Shutter
- Wireless Remote Control
- For Select Sony/Canon/Nikon Cameras
- Bluetooth Connection
- 10m Wireless Range Multiple Mounting Options
HOT
-20%
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
HOT
-20%
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out