All-around amazing.
Adaptability. It’s about remaining fluid, open. Preparing for nothing, but being ready for anything. Thriving in whatever situation comes along. The Z 6 is perhaps the most adaptable camera we’ve ever created. It’s at the sweet spot of speed, resolution and low-light performance. All combined with the advantages of a lightweight mirrorless design, a revolutionary new full-frame lens mount with matched lenses and seamless integration with Nikon’s DSLR system—including the F-Mount NIKKOR lenses you love. This is mirrorless versatility as only Nikon could create.
The next generation of NIKKOR glass.
Empowered by the larger Z Mount and shorter 16mm flange focal distance, NIKKOR Z lenses gather more light and break traditional rules of the “sweet spot”. Forget about stopping down for maximum sharpness—NIKKOR Z are at their best and deliver corner-to-corner sharpness even at their widest aperture.
273-Point On-Sensor PDAF
2732 on-sensor AF points cover 90% of the frame (approx.) horizontally and vertically. Subjects are acquired quickly when they enter the frame and tracked throughout the frame, even to the far edges.
New Hybrid Autofocus
Using an AF algorithm optimized for its FX-format sensor, Z 6 automatically switches between focal-plane phase-detect AF and contrast-detect AF to fine-tune focus. The light-shielding phase detection pixels are carefully arranged on the sensor to preserve light, ensuring accurate AF even in dim lighting.
New Subject Tracking
Whether shooting eye-level with the EVF or in Live View with the LCD, Auto Area AF smoothly tracks your subject’s face—even when it’s one among many. The system pays attention to the upper body, too, maintaining focus position when your subject briefly turns away from the camera or moves out of view.
New 3.6m-Dot Quad VGA Viewfinder
Take an ultra-high resolution QUAD VGA display, add Nikon optics for magnification, including Aspherical lens elements and Fluorine coating, and you’ve got an EVF experience unlike any before it. Minimal lag and blackout, 100% frame coverage (approx.), corner-to-corner clarity and sharp magnification. It has the feel of an optical viewfinder, and you can use it for both stills and videos.
New Icon-Driven Info Display
All relevant info is displayed out of the way and is easy on the eyes. A new customizable menu appears right inside the viewfinder, so you can quickly adjust settings without ever taking your eye off the shot. Focus modes, white balance, exposure, VR settings, Picture Controls, and more—all within eye’s reach. Preview exposure and white balance changes, image stabilization and depth-of-field in real time. You can even review the photo or video you just shot.
Up To 5 Stops Of VR Image Stabilization
Powerful in-body 5-axis VR image stabilization is applied to whatever NIKKOR Z lens you’re using. Up to five stops3 of image stabilization in up to five directions—yaw, pitch, roll, X and Y. During video recording, optical VR is combined with electronic VR (e-VR) for even steadier shots. Normal VR mode for static subjects. Sports VR for moving subjects.
VR For F-Mount NIKKOR Lenses
For the first time, F-Mount NIKKOR lenses like the AF-S NIKKOR 105mm f/1.4E ED or AF-S NIKKOR 14-24mm f/2.8G ED can benefit from in-body 3-axis VR4. NIKKOR lenses that already have VR, like the AF-S NIKKOR 70-200mm f/2.8E FL ED VR, get the added benefit of roll axis for a total of 3-axis VR. Just add the optional Mount Adapter FTZ and you’re good to go.
Amazing productions start here.
Capture cinematic 16:9 4K UHD/30p video in full-frame using the total width and resolution of the Z 6’s backside-illuminated sensor. Full-pixel readout for sharper 4K footage with rich information equivalent to 6K. Clean output at high ISO. Zero crop factor with full-frame NIKKOR Z and F-Mount NIKKOR lenses. Focus Peaking in both 4K and 1080p recording. Simultaneous 8MP stills5. This is 4K as it was meant to be.
4K Time-Lapse
Shoot up to 9,999 full resolution stills using Interval Timer (and zero shutter vibration), then combine them into one 4K movie with 3rd party software. Or create time-lapse sequences right in the camera with exposure smoothing and extended low-light metering range—great for star trails and light painting.
New N-Log With View Assist
N-LOG format preserves more detail, up to 12 stops of dynamic range, shadows and highlights to make color grading more precise in post. For easier spot checking of focus and exposure, the new View Assist function displays simple gradation compensation, highly useful for confirming the final look of the footage.
New 10-Bit HDMI Output
What’s the difference between 8-bit and 10-bit recording? Only about 1 billion more colors (64X more data)—so much more flexibility in post-processing. Record directly to an optional external recorder with 10-bit output via HDMI, the industry standard. Simultaneously record uncompressed 8-bit 4K UHD movie files to the memory card and an external recorder. (Atomos Open Protocol supported for syncing start/stop.)
Smooth, Quiet AF
The speed, smoothness and accuracy of the Z 6’s AF system is ideal for video. It’s virtually silent, very little chance it will be picked up by an external mic. When used with NIKKOR Z lenses, "breathing" and "wobbling" are all but eliminated. You can even touch to focus using the LCD for fast transitions between subjects.
New Z Mount
17% larger internal diameter than Nikon’s acclaimed F Mount. Wider than any full-frame mount available6. It totally changes what’s possible with lens design. Enhanced low-light performance. Even illumination from corner-to-corner. Maximum apertures as wide as f/0.95. Faster data transfer between camera and lens. This is the ideal balance between mount diameter, large image sensor and flange focal distance.
Adaptability. It’s about remaining fluid, open. Preparing for nothing, but being ready for anything. Thriving in whatever situation comes along. The Z 6 is perhaps the most adaptable camera we’ve ever created. It’s at the sweet spot of speed, resolution and low-light performance. All combined with the advantages of a lightweight mirrorless design, a revolutionary new full-frame lens mount with matched lenses and seamless integration with Nikon’s DSLR system—including the F-Mount NIKKOR lenses you love. This is mirrorless versatility as only Nikon could create.
The next generation of NIKKOR glass.
Empowered by the larger Z Mount and shorter 16mm flange focal distance, NIKKOR Z lenses gather more light and break traditional rules of the “sweet spot”. Forget about stopping down for maximum sharpness—NIKKOR Z are at their best and deliver corner-to-corner sharpness even at their widest aperture.
273-Point On-Sensor PDAF
2732 on-sensor AF points cover 90% of the frame (approx.) horizontally and vertically. Subjects are acquired quickly when they enter the frame and tracked throughout the frame, even to the far edges.
New Hybrid Autofocus
Using an AF algorithm optimized for its FX-format sensor, Z 6 automatically switches between focal-plane phase-detect AF and contrast-detect AF to fine-tune focus. The light-shielding phase detection pixels are carefully arranged on the sensor to preserve light, ensuring accurate AF even in dim lighting.
New Subject Tracking
Whether shooting eye-level with the EVF or in Live View with the LCD, Auto Area AF smoothly tracks your subject’s face—even when it’s one among many. The system pays attention to the upper body, too, maintaining focus position when your subject briefly turns away from the camera or moves out of view.
New 3.6m-Dot Quad VGA Viewfinder
Take an ultra-high resolution QUAD VGA display, add Nikon optics for magnification, including Aspherical lens elements and Fluorine coating, and you’ve got an EVF experience unlike any before it. Minimal lag and blackout, 100% frame coverage (approx.), corner-to-corner clarity and sharp magnification. It has the feel of an optical viewfinder, and you can use it for both stills and videos.
New Icon-Driven Info Display
All relevant info is displayed out of the way and is easy on the eyes. A new customizable menu appears right inside the viewfinder, so you can quickly adjust settings without ever taking your eye off the shot. Focus modes, white balance, exposure, VR settings, Picture Controls, and more—all within eye’s reach. Preview exposure and white balance changes, image stabilization and depth-of-field in real time. You can even review the photo or video you just shot.
Up To 5 Stops Of VR Image Stabilization
Powerful in-body 5-axis VR image stabilization is applied to whatever NIKKOR Z lens you’re using. Up to five stops3 of image stabilization in up to five directions—yaw, pitch, roll, X and Y. During video recording, optical VR is combined with electronic VR (e-VR) for even steadier shots. Normal VR mode for static subjects. Sports VR for moving subjects.
VR For F-Mount NIKKOR Lenses
For the first time, F-Mount NIKKOR lenses like the AF-S NIKKOR 105mm f/1.4E ED or AF-S NIKKOR 14-24mm f/2.8G ED can benefit from in-body 3-axis VR4. NIKKOR lenses that already have VR, like the AF-S NIKKOR 70-200mm f/2.8E FL ED VR, get the added benefit of roll axis for a total of 3-axis VR. Just add the optional Mount Adapter FTZ and you’re good to go.
Amazing productions start here.
Capture cinematic 16:9 4K UHD/30p video in full-frame using the total width and resolution of the Z 6’s backside-illuminated sensor. Full-pixel readout for sharper 4K footage with rich information equivalent to 6K. Clean output at high ISO. Zero crop factor with full-frame NIKKOR Z and F-Mount NIKKOR lenses. Focus Peaking in both 4K and 1080p recording. Simultaneous 8MP stills5. This is 4K as it was meant to be.
4K Time-Lapse
Shoot up to 9,999 full resolution stills using Interval Timer (and zero shutter vibration), then combine them into one 4K movie with 3rd party software. Or create time-lapse sequences right in the camera with exposure smoothing and extended low-light metering range—great for star trails and light painting.
New N-Log With View Assist
N-LOG format preserves more detail, up to 12 stops of dynamic range, shadows and highlights to make color grading more precise in post. For easier spot checking of focus and exposure, the new View Assist function displays simple gradation compensation, highly useful for confirming the final look of the footage.
New 10-Bit HDMI Output
What’s the difference between 8-bit and 10-bit recording? Only about 1 billion more colors (64X more data)—so much more flexibility in post-processing. Record directly to an optional external recorder with 10-bit output via HDMI, the industry standard. Simultaneously record uncompressed 8-bit 4K UHD movie files to the memory card and an external recorder. (Atomos Open Protocol supported for syncing start/stop.)
Smooth, Quiet AF
The speed, smoothness and accuracy of the Z 6’s AF system is ideal for video. It’s virtually silent, very little chance it will be picked up by an external mic. When used with NIKKOR Z lenses, "breathing" and "wobbling" are all but eliminated. You can even touch to focus using the LCD for fast transitions between subjects.
New Z Mount
17% larger internal diameter than Nikon’s acclaimed F Mount. Wider than any full-frame mount available6. It totally changes what’s possible with lens design. Enhanced low-light performance. Even illumination from corner-to-corner. Maximum apertures as wide as f/0.95. Faster data transfer between camera and lens. This is the ideal balance between mount diameter, large image sensor and flange focal distance.
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
134x100x67
- Total Weight (KG)
-
0.675
MORE SPECIFICATIONS
- Extras
-
273-Point AF - Full HDMI output
- Power Consumption
-
Not specified
GENERAL FEATURES
- LCD
-
3.2"
- Viewfinder
-
Yes, OLED
- Shutter speed
-
1/8000sec to 30sec
- ISO
-
100-51200 (204800 extended)
CONNECTIONS
- No. of Audio inputs
-
1
- No. of Audio outputs
-
1
- No. of Video outputs
-
1
LENS SYSTEM
- Sensor Resolution
-
24.5MP
STILL IMAGE
- Continuous Shooting
-
9Shots/sec
- Max Image Resolution
-
6048x4024pixels (24.5MP)
- FTZ mount adapter
- EN-EL15b Rechargeable Li-ion Battery
- MH-25a Battery Charger
- UC-E24 USB Cable
- AN-DC19 Strap
- BF-N1 Body Cap
- DK-29 Rubber Eyecup
- HDMI/USB Cable Clip
- BS-1 Accessory Shoe Cover
Pdf not available.
Nikon Z6 Footage
Nikon Z6 Review
Accessory
HOT
-20%
Cleaning Kit 3in1
- Cleaning Kit
- For Cameras, Lenses and sensors
- Air Blower for Lens and Sensor
- Cleaning Pen for Lenses
Audio Mixer
HOT
-20%
SmartRig-Plus
- Portable Audio Mixer 2x 3-pin XLR/6.3mm Jack Combo IN 2x 3.5mm Jack inputs +48V Phantom power 3.5mm TRRS/TRS output
- 3.5mm Jack headphone output
- 9V battery
- 1-year Warranty
HOT
-20%
SR-PAX1
- Portable Audio Mixer 2x 3-pin XLR Combo inputs 1x Jack Stereo 3.5mm input 2x Jack Mono 3.5mm input 3.5mm Jack output
- 3.5mm headphone output
- For DSLR Cameras
- 1-year Warranty
Battery
HOT
-20%
Cable
HOT
-20%
Nucleus-M-Run-Stop-USB-C
- Data Cable
- For Nucleus M
- Run/Stop Cable
- USB-C to 7-pin lemo
Cage
HOT
-20%
Aluminum L-bracket for Z6 Z7
- L-Bracket Cage
- For Nikon Z5/Z6/Z7 Cameras
- 1/4" Bottom Screw for the camera
- 1/4" Accessory Threads
Case
HOT
-20%
1500 Dividers
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 425x155x284mm
- Dustproof/Crushproof/Watertight
HOT
-20%
1500 Foam
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 425x155x284mm
- Dustproof/Crushproof/Watertight
HOT
-20%
RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun Cinema
- Handheld/Shoulder Bag?
- For Handheld/Cinema Cameras
- Interior(WxHxD):?470x310x240mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Cover
HOT
-20%
HoodEye-H-EyeN22S
- Eyecup
- For Nikon D600, D610, D750
- For Nikon D70, D80, D90,D3000
- For Sony a6500
Handle
HOT
-20%
Top Lightweight Quick Release
- Aluminum Top Handle
- Suitable for Tilta Cages
- Attaches via 1/4" Screw
- 3/8" & 1/4" Threads
Lens
HOT
-20%
12mm f2.8 ED AS w AE Chip F
- Prime Lens 12mm
- T2.8 Aperture
- Nikon F Mount
- For Full Frame
HOT
-20%
14-24mm F2.8 DG HSM F
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Nikon F Mount
- Auto Focus
HOT
-20%
14mm-T3.1VDSLR-MK-II-F
- Prime Lens 14mm
- T3.1 Aperture
- Nikon F Mount
- For Full Frame & APS-C Sensors
HOT
-20%
HOT
-20%
24mm-T1.5VDSLR-MK-II-F
- Prime Lens 24mm
- T1.5 Aperture
- Nikon F Mount
- Full Frame & APS-C Format
HOT
-20%
ATX11-20-F2.8-PRODX-N
- Zoom Lens 11-20mm
- f/2.8 Aperture
- Nikon F Mount
- Auto Focus
HOT
-20%
ATXi-11-16-F2.8-CF-Nikon
- Zoom Lens 11-16mm
- f/2.8 Aperture
- Nikon F Mount
- 77mm Filter Size
HOT
-20%
Planar 50mm ZF.2 T1.4 F
- Prime Lens 50mm
- T1.4 Aperture
- Nikon F-Mount
- Full Frame & APS-C Format
Light
HOT
-20%
LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
HOT
-20%
LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
HOT
-20%
RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
HOT
-20%
Lavalier Omni-Directional
- Lavalier Microphone Jack 3.5mm TRRS/TRS Stereo Output Mini USB output
- 2x 3.5mm Jack Mic inputs
- Headphones 3.5mm Jack output
- For DSLR, Gopro, Smartphones.
HOT
-20%
MKE 400 MKII
- Shotgun Microphone
- Electret Super Cardioid Mic
- 50Hz - 20kHz Frequency Response
- 132dB Max SPL
HOT
-20%
MKE 600
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
SR-M3
- Shotgun Microphone
- Condenser Cardioid Jack 3.5mm stereo output
- Jack 3.5mm Mic input
- Jack 3.5mm Headphone output
HOT
-20%
SR-NV5
- Shotgun Microphone
- Condenser Cardioid XLR 3-pin output
- For Professional ?Cameras
- 48V+ Phantom
HOT
-20%
SR-PMIC1
- Shotgun Microphone
- Condenser Super-Cardioid Jack 3.5mm stereo output
- 80Hz-12kHz
- -32dB Sensitivity
HOT
-20%
SR-PMIC2
- Shotgun Microphone
- Condenser Cardioid Jack 3.5mm stereo output
- Frequency Switch
- Hot Shoe
HOT
-20%
SR-PMIC3
- Suround Microphone?
- Condenser Cardioid Jack 3.5mm stereo output
- 40Hz-10kHz
- -37dB Sensitivity
HOT
-20%
SR-ULM10
- Lavalier Microphone
- Condenser/Omni-Directional USB Connector
- For PC Sound Recording
- 35Hz-18Kz
HOT
-20%
SR-XMS2
- Stereo Lavalier Microphone
- Condenser/Omni-Directional Jack 3.5mm Output
- For DSLR Cameras
- For Saramonic Mixers
HOT
-20%
VideoMic Go
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 100Hz - 16kHz Frequency Response
- Sensitivity: -35dB
HOT
-20%
Videomic NTG
- Shotgun Microphone
- Electret Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -26dB
HOT
-20%
VideoMic Pro Plus
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -33.6dB
HOT
-20%
VideoMic Rycote
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -38dB - 9V Battery
HOT
-20%
VideoMicME
- Shotgun Microphone for iPhones
- Condenser Cardioid Mic
- 100Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMicro
- Shotgun Microphone
- Condenser Cardioid Mic
- 100Hz - 20kHz Frequency Response
- Sensitivity: -33dB
HOT
-20%
VideoMicro-II
- Shotgun Microphone
- Condenser SuperCardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -30dB
Monitor
HOT
-20%
4.8 inch LCD HDMI
- On-Camera Monitor
- LCD 4.8" 800x480Pixel
- HDMI IN/OUT
- Zoom Trigger
HOT
-20%
Monopod
HOT
-20%
Aluminum w 18KG Payload
- Monopod
- For Handheld/Photo Cameras
- 18KG Payload
- 68-192cm
HOT
-20%
Aluminum w 8KG Payload
- Monopod with Fluid Head
- For Handheld/Photo Cameras
- 8KG Payload
- 78-203cm
HOT
-20%
Carbon Fiber w 20KG Payload
- Monopod
- For Handheld/Photo Cameras
- 20KG Payload
- 60-188cm
REC-Media
HOT
-20%
Reader
HOT
-20%
MRW-G1
- USB Card Reader
- XQD Cards V.1.0/V2.0
- CFexpress Type B
- Max Transfer Speeds
Tripod
HOT
-20%
ACE M GS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 58-173cm
HOT
-20%
ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
HOT
-20%
ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
HOT
-20%
ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
HOT
-20%
ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
HOT
-20%
ACE-M-GS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 57-173cm
HOT
-20%
ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
HOT
-20%
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
HOT
-20%
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Wireless
HOT
-20%
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
HOT
-20%
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
HOT
-20%
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
HOT
-20%
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
HOT
-20%
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
HOT
-20%
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out